Category Archives: Science Fiction

GREEN ICE OF THE ANTARCTIC

This gives me an interesting idea for both a science fiction story and an element to add to my fantasy novel…

 

Strange Green Ice Seen Floating in Antarctica’s Ross Sea

Strange Green Ice Seen Floating in Antarctica's Ross Sea

An imager on the Landsat 8 satellite captured this image, on March 5, 2017, of Antarctica’s Granite Harbor, a cove near the Ross Sea, where the sea ice has a green hue due to a bloom of phytoplankton.

Credit: NASA

No, Antarctica isn’t busting out the green beer for St. Patrick’s Day. But a new satellite image of the continent shows strange green ice floating in the Ross Sea.

The green-tinged ice is probably the work of phytoplankton, marine glaciologist Jan Lieser of Australia’s Antarctic Climate and Ecosystems Cooperative Research Center told NASA’s Earth Observatory, which released the image yesterday (March 9).

Photosynthetic plankton called phytoplankton (and algae) grow all around Antarctica in summer (which runs from October to February, because Antarctica is in the Southern Hemisphere). It’s now autumn on the icy continent, but algae blooms can happen in the Antarctic fall, too, the Earth Observatory reported.

In 2012, Lieser and her colleagues noted an enormous bloom in late February and early March that was 124 miles (200 kilometers) long and 62 miles (100 km) wide. Scientists on an expedition to observe the green swirls found that the bloom was not free-floating algae, but green sea ice, or sea ice with algae growing on it.

A zoomed-in patch of green ice near Antarctica's Ross Sea can be seen in this Landsat 8 image captured on March 5, 2017.
A zoomed-in patch of green ice near Antarctica’s Ross Sea can be seen in this Landsat 8 image captured on March 5, 2017.

Credit: NASA

The current late-season bloom appears to have gotten trapped in the slushy, just-forming sea ice, lending it a green hue. It’s unclear whether the algae bloom is on the ice, or trapped within or beneath it.

On the other end of the globe, Arctic waters experience phytoplankton blooms, too. As in Antarctica, these tiny organisms are the basis of the food web. Scientists have found, however, that the Arctic’s spring phytoplankton blooms are coming earlier. What’s more, a second season of algae blooms has emerged in the fall, as sea ice has retreated.

Original article on Live Science

PIE

So it was PIE after all?

I had wondered… at the possible construct and the sound

THE COMMONER’S VIGIL, AND A FEW OBSERVATIONS ON POP CULTURE

I don’t watch TV during the week unless there is some kind of emergency, like a terrorist attack.

But I do watch on the weekends sometimes. To me TV was an utter wasteland for many decades. But in the past few years, maybe even for a decade or so now, it has undergone a real Renaissance.

That being said here are some of my favorite new shows. (I won’t mention shows I have watched awhile over time.) Yes, I know these might not be new shows to you, but they are all new to me as I don’t watch TV a lot (too busy) and so I might just now be seeing them for the first time.

I recommend them all.

FORGED IN FIRE – really, really appeals to the blacksmith and tool maker in me which I get form my old man. I love this show. I love the blades and weapons they create. And observing the techniques they employ.

THE SELECTION – really, really love this show and it gave me several very good ideas for the physical training program I was already developing called The Roman Way, which you can read more about on my other blogs. I am writing a book and training manual for the Roman Way. I liked the psychological aspects of the selection best however, even moreso than the training methods employed. A couple of the instructors I really like too and tow of them reminded me of buddies of mine.

EMERALD CITY – beautiful, without a doubt. The story meanders however and it is kind of more of a chick show to me. But I really like the Wizard of Oz and the displays of “magic.”

SIX – a little overemotional and overwrought to me, as far as the character depictions of the operators. Too much of an intent to hyper-dramatize for modern audiences. But the stories are awful good and the missions often solid. But still the emotionalism too often fucks up the outcomes. Which, personally, I would not allow. But it’s only TV.

TABOO – the best damned man show I’ve seen, maybe, ever… As in ever. In my whole freaking life. I can’t recommended it enough. This is a real work of art. High Art.

and, one of the shows I’ve watched before but which I am really, really looking forward to returning soon, THE EXPANSE.

Aside from the original STAR TREK it is, without a doubt, the best science-fiction television show I’ve ever seen in my life. Extremely good and incredibly solid.

MIND AND MAGIC

As a gamer what do you think are the salient similarities and differences both in how psionic (psychic abilities) capabilities and magic works, or ought to work?

I mean in every respect (how they operate, how they function, what each should be able to do or not do, what is the goal of each, etc.)?

What is your opinion?

 

 

THE ARRIVAL

THE ARRIVAL

(with one spoiler)

The wife and I went to see The Arrival today for our date. Although I have never read the short story within the first five minutes or so I had already figured out what the Arrival was, who it involved, and how it would likely occur. The clues were evidently abundant in the opening scenes. So I leaned over and whispered to my wife what would happen to whom and why.

I just couldn’t figure out the exact mechanism until I had more data and information. So I didn’t deduce  the mechanism involved until about half way through the film. Then I told her that.

Nevertheless the film was excellent in most every way. It was certainly one of the best hard sci-fi films I’ve seen in a long time. And the use of language was rather brilliant indeed. Actually, as far as language goes, it probably the very best sci-fi film I’ve ever seen (I say that as both an amateur philologist and an amateur cryptologist – so I greatly appreciated the peculiar and particular use of language indeed – plus the “scripted symbology” was especially beautiful in and of itself) and perhaps one of the best uses of language in any other kind of film I’ve ever seen. On that basis alone I highly recommend the film.

Actually the film itself came off like an old-school science fiction story/film, like a piece of work I would have expected by Arthur C. Clarke perhaps. It really was that good.

I suggest you go see it for yourself and enjoy it immensely.

I give it a 9 out of 10.

I think I will also now read the short story…

 

Spoiler: As I have been saying for a very, very long time now, if time is non-linear then nothing else really matters. Everything is immortal, and always has been.

Only the destruction of time and space itself could change that.

 

 

STC – FAIREST OF THEM ALL

 

http://www.startrekcontinues.com

WYRDROAD

I have established a new Facebook Gaming Group.

I haven’t had much time to build up the membership yet because I’ve been busy but I have tried to build up some interesting content. The primary interest of the group is gaming, but like this blog it will cover history, archeology, warfare, science, technology, fantasy and science fiction, literature, pop culture, comics, etc.

You’re welcome to visit and to join. Just hit the links provided.

WYRDROAD

 

NornsOld4

JUST TO LET YOU KNOW

I will soon be returning to blogging and posting about my own game worlds and milieus, my novels (in this case regarding my fantasy/mythological, my sci-fi, and detective novels mostly), my essays on gaming, the games I have designed and written, TSS scenarios, GPADs, my start-ups that are game related, my Vadding expeditions and urban exploration, and all of my other personal creations, enterprises, and Work.

Recently I have been much too busy with both business and personal matters to post about my own creations. But things have calmed now and that’s about to change.

So from now on I will be posting at least once a week about my own creations and designs. This I will do mostly on the weekends, but if you are a follower of this blog then you will know as soon as it happens.

Have a good weekend folks.

NO, SET PHASERS TO KILL

Disgusting, lawyered-up pusses…

New “Star Trek” Fan Film Guidelines Appear To Take Aim At Several Productions

“The fan production must … not exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes.”

Star Trek Continues. Trek Continues

Set phasers on stunned: The vast ecosystem of Star Trek fan productions is about to undergo a radical change after CBS and Paramount Pictures released a set of new fan film guidelines.

According to the 10-point guidelines released on Thursday, Trek fan productions cannot “exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes,” cannot include “Star Trek” in their titles, cannot involve anyone who has worked on Star Trek films or series, and cannot raise more than $50,000 for an individual production. In return for following these and other guidelines, CBS and Paramount state they “will not object to, or take legal action against” any “non-professional and amateur” fan productions.

Most prominently, the guidelines would severely restrict plans for Axanar, the Trek fan film that CBS and Paramount sued for copyright infringement in December, and the production that appears to have sparked the guidelines in the first place. Gary Graham was set to reprise his role from Star Trek: Enterprise as a Vulcan ambassador; the production raised over $1.2 million in crowdfunding campaigns; and creator Alec Peters had planned for Axanar to be a feature-length production well over the 30-minute time limit.

The guidelines also seem to directly affect several of the most popular and well-regarded Trek fan productions over the past two decades, many of which operate as ongoing “series,” including Star Trek Continues and Star Trek New Voyages: Phase II. The former has raised well over $300,000 via several crowdfunding campaigns to support its elaborate recreations of the sets from the original Trek TV series, and the latter has featured episodes guest starring established Trek actors like Walter Koenig and George Takei.

Meanwhile, Star Trek: Voyager star Tim Russ is currently directing and starring in Star Trek Renegades: The Requiem, which co-stars Trek alum like Koenig, Nichelle Nichols, Terry Farrell, Robert Picardo, and Robert Beltran. According to the new guidelines, none of these actors would be able to continue with the production.

In response to the guidelines, Star Trek Continues creator and star Vic Mignognanoted in a Facebook post that the production “has the utmost respect for CBS and their right to protect their property as they see fit,” and that he is not yet certain what impact the new guidelines will have on his production. (The other aforementioned productions did not immediately respond to requests to comment, and a spokesperson for CBS said she could not comment on how the guidelines would affect individual fan productions.)

Alec Peters in Prelude to Axanar. Axanar Productions

As BuzzFeed News detailed in a story last week, the lawsuit between Axanar Productions and CBS and Paramount has drawn so much attention that J.J. Abrams — who is producing the latest film, Star Trek Beyond — announced at aTrek fan event in May that due to lobbying from Beyond’s director Justin Lin, the lawsuit would be “going away” in a matter of weeks.

CBS and Paramount subsequentlyannounced in a joint statement that, along with its ongoing settlement negotiations with Axanar Productions, the studios were “working on a set of fan film guidelines.” While those guidelines are now official, however, the suit continues to be litigated by both sides.

In a brief joint statement from CBS and Paramount to BuzzFeed News on Thursday, a spokesperson said that lawsuit talks are still “ongoing,” and that the companies “continue to be hopeful that we will reach a settlement shortly.”

Peters told BuzzFeed News in April that he had specifically asked CBS executives for fan film guidelines in August 2015. “They told me, ‘We can’t tell you what you can do, and we can’t tell you what you can’t do, but we’ll tell you when you’ve crossed the line,’” said Peters. “I kind of was frustrated, because I wanted guidelines.”

In a statement to BuzzFeed News on Thursday, however, Peters made clear that the guidelines CBS and Paramount ultimately created were not what he wanted:

I’m really disappointed that this set of guidelines represents the studios’ best efforts on behalf of fans. These guidelines appear to have been tailor-made to shut down all of the major fan productions and stifle fandom. In no way can that be seen as supportive or encouraging, which is very disheartening.

While CBS and Paramount claim to want to encourage the passion of fans to produce “reasonable fan fiction”, the restrictions presented do just the opposite, willfully ignoring over forty years of fan works that helped buoy the Star Trekfranchise through some very lean years and enthusiastically spread the magic of the franchise in more plentiful times.

Around the franchise’s 50th anniversary, we would have hoped CBS and Paramount would have taken this opportunity to unite with Star Trek fans in celebration of their creativity, not seek to crush it.

UPDATE

This story has been updated with statements regarding the Star Trek fan film guidelines from Axanar creator Alec Peters and Star Trek Continues creator Vic Mignogna. Jun. 23, 2016, at 4:55 p.m.

STAR TREK BRIDGE CREW

You’re in Command with Star Trek: Bridge Crew

StarTrek.com Staff

June 13, 2016

Today at E3 in Los Angeles, Ubisoft announced a fall release for Star Trek: Bridge Crew, a new virtual reality game that will allow players to explore space as a member of the Federation. Supporting the announcement: a cool video featuring LeVar Burton, Jeri Ryan and Karl Urban trying out the game. Playable co-operatively with a crew or solo as Captain, Star Trek: Bridge Crew puts players directly onto the bridge in a Starfleet ship. The game will be available on PlayStation VR, Oculus Rift and HTC Vive.

Bridge Crew puts a player and their friends in the heart of a brand-new starship, the U.S.S. Aegis, where every action and decision made will determine the fate of the ship and her crew. The overriding mission is as follows: Explore a largely uncharted sector of space known as The Trench, in hopes of locating a suitable new home world for the decimated Vulcan populace — while coming into direct conflict with the vaunted Klingon Empire.
As developed by Red Storm Entertainment, a Ubisoft Studio, Bridge Crew is designed exclusively for VR. It capitalizes on the powerful sense of social presence only possible through virtual reality. Through hand tracking and full-body avatars, including real-time lip-sync, players can experience what it’s like to serve as an officer on the bridge of a Federation starship.
As a crew, players will form a team of four to operate the roles of Captain, Helm, Tactical or Engineer. Each role is crucial to the success of the varied missions players face, and only by working together can the crew complete their objectives. Also playable in solo, players will assume the role of Captain and dispatch orders to their NPC crew mates. The Captain’s strategic decisions will be vital in order to successfully complete missions. In other words, it’s your ship and you’re in command.

Keep an eye on StarTrek.com for additional details about Star Trek: Bridge Crew.

– See more at: http://www.startrek.com/article/youre-in-command-with-star-trek-bridge-crew#sthash.pGLwqy04.dpuf

RESHOOTS AND ROGUES

SWANH – THE FORGE

This is far too data/graphics dense and intense to reproduce in entirety here but you guys should check this out…

STAR WARS : A NEW HOPE

 

A WORK OF GREAT SCIENCE FICTION?

Is GRR Martin’s ASOIF not every bit as much a work of Great Science Fiction as it is a work of High Fantasy?

(Though, perhaps given the numerous bloody, torturous, criminal, immoral, and amoral events of the story and books, perhaps Epic Fantasy is a far better term than High Fantasy. I should also say that I have read quite a bit of Martin’s science fiction so I do not make this observation in a vacuum.)

In any case look at the background, the events, and the milieu of the world itself. Even the very planet is apparently out of sync, ecologically and biologically. You have a world whose very orbit and rotation seems seasonally misaligned.

You have a past superculture (Valyria), apparently with a fairly highly developed technology, who were abruptly and almost instantly annihilated in what appears to be a self-induced immolation or act of self-destruction.

You have incredible acts of architecture, engineering, and materials control, such as with the Wall.

You have what is essentially a wholly alien race of creatures (the White Walkers) who can disappear into hibernation for untold aeons only to reappear in a mutated and far more dangerous form. You have other species of peculiar natures and seemingly bizarre backgrounds, such as the giants and the Children.

You have a very dangerous long-term degenerating disease which looks very much like some form of designed biological agent. Or yet another mutating agent.

You have a boy who cannot only “warg” himself backwards in time to gain critical information or historical events, he can actually influence people in the past. In other words you have visionary time travel with a built in ability to influence previous timelines.

And I could list many other such elements, including the dragons themselves, and their obviously native and possibly enhanced, not animalistic intelligence.

Now none of these things negate the obviously fantastical elements of the story (whichever you take as the source material for the real story and the truer events, the books or the Game of Thrones show) but they do point out that the frontier between fantasy and science fiction in this case is an extremely thin line of division.

Then again the exact same thing could be said of Tolkien’s work.

The frontier between science fiction and fantasy in the works of both men is an uncertain one indeed. At least when it comes to certain obvious elements.

 

 

 

 

COME NOT BETWEEN THE DRAGONS – STC

I am really, really looking forward to this. If you haven’t seen Star Trek Continues then you really should. Superb work by everyone involved! It’s one of the best things on the internet. As a matter of fact it should be on TV.

And this episode has a Boarding Action!

I’m all about the boarding actions!

STAR TREK CONTINUES

 

 

Actually, I am finishing up a script for Star Trek Continues right now. Whether they will use it or not I don’t know, but I sure am having a ball writing it. And it’s science heavy and something I’ve always wanted to see in Star Trek.

 

 

GENE RODDENBERRY’S FLOPPIES

How Star Trek creator Gene Roddenberry’s words were freed from old floppy disks

When Gene Roddenberry’s computer died, it took with it the only method of accessing some 200 floppy disks of his unpublished work. Here’s how this tech mystery was solved.

5096 0
While Gene Roddenberry is often associated with the Macintosh, he apparently did far more writing on this unknown-brand computer.

Call the engine room and get Scotty to the bridge: When the long-lost words of Star Trekcreator Gene Roddenberry were found on 5.25-inch floppies—yes, floppy disks—it would take a Starfleet-level engineering effort to recover them.

Roddenberry, who died in 1991, apparently left behind a couple of shoebox-sized containers of those big floppy disks.

The problem? As any techie knows, floppy drives went out off fashion around the turn of the 21st century. Even if you bought a used 5.25-inch floppy drive off of Cyrano Jones on space station K7, you wouldn’t be able to read the files on a modern computer, let alone plug in the drive.

Roddenberry’s estate knew of two possible computers the author had used to write those final words. One had been sold off in a charity auction and the second wouldn’t boot when plugged in.

floppy disk 2009 g1GEORGE CHERNILEVSKY
Most of Gene Roddenberry’s lost work was stored on the 1970s and 1980s era 5.25-inch disk, which here is flanked by the older 8-inch and newer 3.5-inch versions.

The computer’s dead Jim

Rather than accept that no-win scenario, Roddenberry’s estate turned to DriveSavers Data Recovery. The lack of an operative computer was less than ideal, but  Mike Cobb, director of engineering of DriveSavers, was optimistic, considering the company’s ability to recover data from most forms of computer media known today.

According to Cobb, the majority of the disks were 1980s-era 5.25-inch double-density disks capable of storing a whopping 160KB—that’s kilobytes—or about one-tenth the capacity you can get on a $1 USB thumb drive today. Cobb said a few of the disks were formatted in DOS, but most of them were from an older operating system called CP/M.

CP/M, or Control Program for Microcomputers, was a popular operating system of the 1970s and early 1980s that ultimately lost out to Microsoft’s DOS. In the 1970s and 1980s it was the wild west of disk formats and track layouts, Cobb said. The DOS recoveries were easy once a drive was located, but the CP/M disks were far more work.

“The older disks, we had to actually figure out how to physically read them,” Cobb told PCWorld. “The difficult part was CP/M and the file system itself and how it was written.”

As the data recovery firm couldn’t get Roddenberry’s old computer to power on, it had to sleuth the physical layout of the tracks on the disk. That alone took three months to reverse engineer; Cobb credits his own “Scotty,” Jim Wilhelmsen, with figuring it out.

drivesavers star trek recovery 1DRIVERSAVERS DATA RECOVERY
DriverSaver’s Mike Cobb and Jim Wilhelmsen with Gene Roddenberry’s dead computer and a pile of the floppy disks they helped recover.

To make matters worse, about 30 of the disks were damaged, with deep gouges in the magnetic surface. As luck would have it, Cobb said most of the physical damage was over empty portions of the disks and he believes about 95 percent of the data was recovered.

Besides seeking the technical expertise required for the task, the estate also wanted high security, according to Cobb. The estate wasn’t going to just drop all 200 disks in a FedEx box and pray to the shipping gods they wouldn’t get lost. No, only small batches of the disks were doled out at a time,  and each batch was hand-delivered to DriveSavers’ secure facility in Novato beginning in 2012.

Once DriveSavers had recovered the data, the data had to be converted into a format the estate could open. It’s not like you can feed a 1980s-era CP/M word processor format into Microsoft Word, so Cobb personally converted each file to a readable text file.

The big reveal

All told, Cobb said when the operating system files were excluded, about 2-3MB of data was recovered from the 200 floppies. That may seem like a minuscule amount by today’s standards, but in the 1980s, document files were small. Roddenberry’s lost words were substantial.

So what’s actually on the disks? Lost episodes of Star Trek? The secret script for a new show? Or as Popular Science once speculated, a patent for a transporter?

Unfortunately, we don’t know.

Cobb ain’t saying. Understandably, when DriverSavers is contracted to recover data, it’s also bound by rules of confidentiality. PCWorld reached out to the Roddenberry estate but was told it had no comment on the data or its plans for the newly discovered writing of Gene Roddenberry.

drivesavers star trek recovery 2DRIVERSAVERS DATA RECOVERY
For their work in recovering The Great Bird of the Galaxy’s lost writing, DriveSavers received a signed photo of the Star Trek creator in front of his computer from his son.

Related:

TO BOLDLY GO… AGAIN? – DESIGN OF THINGS TO COME

If they just concentrate upon science and exploration, as the original did, and even to some extent as TNG did, then I’m in. Totally in.

Strangely enough, at least from this write-up, that seems like the way they might be going.

But I can’t stomach another “Enterprise” or yet another Jedi-wanna-be science fantasy or life-action anime series. I just can’t stomach that modern pseudo-science and amoral modern crap in my Star Trek anymore. That kinda stuff is for Star Wars, not Star Trek.

 

A totally new Star Trek television series is coming in January 2017! The new series will blast off with a special preview broadcast of the premiere episode on the CBS Television Network, and the premiere episode and all subsequent first-run episodes will then be available exclusively in the United States on CBS All Access.

The brand-new Star Trek will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966.

Alex Kurtzman will serve as executive producer for the series. Kurtzman co-wrote and produced the blockbuster films Star Trek (2009) with Roberto Orci, and Star Trek Into Darkness (2013) with Orci and Damon Lindelof. Both films were produced and directed by J.J. Abrams.

The new series will be produced by CBS Television Studios in association with Kurtzman’s Secret Hideout. Kurtzman and Heather Kadin will serve as executive producers. Kurtzman is also an executive producer for the hit CBS television series Scorpion and Limitless, along with Kadin and Orci, and for Hawaii Five-0 with Orci.

The new program will be the first original series developed specifically for U.S. audiences for CBS All Access, a cross-platform streaming service that brings viewers thousands of episodes from CBS’s current and past seasons on demand, plus the ability to stream their local CBS Television stations live for $5.99 per month. CBS All Access already offers every episode of all previous Star Trek television series.

Sign up for a free trial of CBS All Access and prep for the new show with every episode of the classic Star Trek series available commercial-free!

Star Trek, which will celebrate its 50th anniversary in 2016, is one of the most successful entertainment franchises of all time. The original Star Trek spawned a dozen feature films and five successful television series. Almost half a century later, the Star Trek television series are licensed on a variety of different platforms in more than 190 countries, and the franchise still generates more than a billion social media impressions every month.

Born from the mind of Gene Roddenberry, the original Star Trek series debuted on Sept. 8, 1966 and aired for three seasons – a short run that belied the influence it would have for generations. The series also broke new ground in storytelling and cultural mores, providing a progressive look at topics including race relations, global politics and the environment.

“There is no better time to give Star Trek fans a new series than on the heels of the original show’s 50th anniversary celebration,” said David Stapf, President, CBS Television Studios. “Everyone here has great respect for this storied franchise, and we’re excited to launch its next television chapter in the creative mind and skilled hands of Alex Kurtzman, someone who knows this world and its audience intimately.”

“This new series will premiere to the national CBS audience, then boldly go where no first-run Star Trek series has gone before – directly to its millions of fans through CBS All Access,” said Marc DeBevoise, Executive Vice President/General Manager – CBS Digital Media. “We’ve experienced terrific growth for CBS All Access, expanding the service across affiliates and devices in a very short time. We now have an incredible opportunity to accelerate this growth with the iconic Star Trek, and its devoted and passionate fan base, as our first original series.”

The next chapter of the Star Trek franchise will also be distributed concurrently for television and multiple platforms around the world by CBS Studios International.

“Every day, an episode of the Star Trek franchise is seen in almost every country in the world,” said Armando Nuñez, President and CEO, CBS Global Distribution Group. “We can’t wait to introduce Star Trek’s next voyage on television to its vast global fan base.”

CBS All Access offers its customers more than 7,500 episodes from the current television season, previous seasons and classic shows on demand nationwide, as well as the ability to stream local CBS stations live in more than 110 markets. Subscribers can use the service online and across devices via CBS.com, the CBS App for iOS, Android and Windows 10, as well as on connected devices such as Apple TV, Android TV, Chromecast, Roku players and Roku TV, with more connected devices to come.

The new television series is not related to the upcoming feature film Star Trek Beyond, which is scheduled to be distributed by Paramount Pictures in summer 2016.

STAR TREK BEYOND – LOST LIBRARY

‘Star Trek: Beyond’ Gets New Release Date

“Star Trek Into Darkness” (Par)

SEPTEMBER 17, 2015 | 04:58PM PT

Paramount has moved “Star Trek: Beyond” back two weeks to July 22.

The studio had originally announced a July 8 release date late last year. It will face Warner Bros.’ “King Arthur” and Fox’s animated “Ice Age: Collision Course” on July 22.

The film will mark the 50-year anniversary of the television launch of the landmark science-fiction series. The TV series debuted on Sept. 8, 1966, on NBC and aired for three seasons.

Justin Lin is directing the third installment in Paramount’s rebooted “Star Trek” franchise with Chris Pine and Zachary Quinto in the lead roles. J.J. Abrams directed the first two “Star Trek” reboots in 2009 and 2013.

David Ellison’s Skydance Prods. and Abrams’ Bad Robot are producing. Orci and Abrams are theproducers.

Lin directed the third, fourth, fifth and sixth installments of the “Fast and Furious” franchise.

2013’s “Star Trek Into Darkness” grossed $467 million worldwide, including $229 million domestically.

FF4 TRAILER – DESIGN OF THINGS TO COME

Final ‘Fantastic Four’ Trailer Brings the Team in Full View

Final Fantastic Four Trailer Brings the Team in Full View

Photo: 20th Century Fox

The biggest thing the upcoming Fantastic Four reboot has going for it is its cast. Michael B. Jordan, Kate Mara, Miles Teller and Jamie Bell make up the titular superhero team and they, and they alone are the reason I have any modicum of interest in this movie as it’s become harder and harder to actually muster interest for superhero movies nowadays as they all feel part of a larger whole that’s more about selling toys and tickets than telling a good story. In fact, the supposed turmoil behind-the-scenes concerning director Josh Trank may actually be further evidence the goal here was to make something more than just another visual effects extravaganza. I guess it all depends on how you choose to look at it.

Today a final trailer for the upcoming Aug. 7 release has arrived and it offers the most extensive look at the film yet. For video see link.

 

 

THE IMAX INFINITY WAR

Interesting…

 

Avengers: Infinity War to be Filmed Entirely with Brand-New IMAX Cameras

MAY 7, 2015

Avengers: Infinity War to be Filmed Entirely with Brand-New IMAX Cameras

On the heels of the reveal of its nine-month production schedule, Marvel Studios, the Russo brothers and IMAX today announced that Marvel’s Avengers: Infinity War – Parts 1 & 2 will be shot in their entirety using IMAX and ARRI’s next generation revolutionary 2D digital camera – a joint customized digital version of ARRI’s new large format camera, the Alexa 65. The two-part “Avengers” saga marks the first time a Hollywood feature film will have been shot completely using IMAX cameras and will feature IMAX’s exclusive aspect ratio, providing moviegoers a uniquely immersive experience.

Prior to filming Marvel’s Avengers: Infinity War – Parts 1 & 2, Joe and Anthony Russo, who also directed Marvel’s Captain America: The Winter Soldier, will use the IMAX/ARRI 2D digital camera for select action sequences on the forthcoming Marvel’s Captain America: Civil War, which will release in IMAX theaters in May of 2016.

“The intent with the Infinity War films is to bring ten years of accumulative storytelling to an incredible climax,” Joe and Anthony Russo stated. “We felt that the best way to exploit the scale and scope required to close out the final chapter of these three phases, was to be the first films shot entirely on the IMAX/ARRI Digital camera.”

“Over the years, IMAX has had the incredible good fortune to work with some of the world’s finest, most talented filmmakers, who continue to push the envelope both technically and creatively,” said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. “We could not be more excited to deepen our partnership with Joe and Anthony Russo, a pair of filmmakers we believe are next-generation trailblazers. Marvel’s Avengers franchise has become aglobal phenomenon and to have it pay off in this epic way using the IMAX/ARRI digital camera is the very definition of event movie-going.”

The next-generation 2D digital camera – co-developed by IMAX and ARRI – is meant for use by today’s leading filmmakers working in the IMAX format. The joint solution is designed as a complementary tool to IMAX’s high-resolution capture technologies – including its 3D digital and 15perf / 65mm film cameras. Moreover, IMAX worked with ARRI to achieve the highest level of digital image capture for playback on IMAX’s xenon and new laser projection systems.

Set to be directed by the Russo brothers and featuring a script by Marvel favorites Christopher Markus and Stephen McFeely, Marvel’s Avengers: Infinity War – Part 1 is slated for release in IMAX theaters on May 4, 2018; Part 2 will open on May 3, 2019.

BRAVE NEW WORLD – ALLTHING

Syfy and Steven Spielberg’s Amblin Television developing Brave New World series

Before dystopian future novels were all the rage, there were many classic tales predicting a dark future for mankind. Syfy and Steven Spielberg’s Amblin Television will soon pay tribute to one of the most famous and acclaimed of those works: The network and production company announced Tuesday that they’re developing an adaptation of Aldous Huxley’s Brave New World.

The novel was first published in 1932. It’s set in a future world that lacks poverty, war and disease—but where mind-altering drugs are distributed, and free sex and increased consumerism are the norm. Most disturbing of all, people no longer reproduce; instead, they’re genetically created in “hatcheries.” Those who refuse to conform are sent to “reservations.” All this, though, is about to change when one “savage” bucks the system and threatens the entire social order.

Modern Library ranked Brave New World fifth on a list of the 20th century’s 100 best English language novels. “Brave New World is one of the most influential genre classics of all time. Its provocative vision of a future gone awry remains as powerful and as timeless as ever. Promising to be a monumental television event, Brave New World is precisely the groundbreaking programming that is becoming the hallmark of Syfy,” said Dave Howe, president of Syfy and Chiller, in a statement.

Syfy and Amblin have collaborated before on Steven Spielberg Presents: Taken, which received an Emmy for Best Miniseries in 2003.

Amblin Television’s Darryl Frank and Justin Falvey (The Americans, Falling Skies, Under the Dome) will executive produce, along with Les Bohem (Steven Spielberg Presents: Taken), who will also pen the screenplay. Universal Cable Productions will act as the studio.

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