By Cathinka Dahl Hambro
Women played an important part in Viking Age society, and their role far exceeded that of mother and the “housewife”. Why, then, are they barely mentioned in the history books?
“The standard specialist literature within the field is pervaded with Viking expeditions, kings, weapons, and battles,” says Viking researcher Nanna Løkka.
“If women are mentioned at all they are placed within an everyday context, with children, handicraft and domestic life. Thus, when the characteristics of the Viking Age are described, women are either left out completely, or they are given their own little paragraph, as they appear neither very exciting nor spectacular.”
In the recently published anthology Kvinner i vikingtid (“Viking Age Women”), sixteen women and one man challenge this standard saga inspired account of the early Norwegian Middle Ages, which is characterized by raiding kings and chieftains. Løkka has edited the book in collaboration with Nancy Coleman.
Kvinner i vikingtid examines the various roles of women in a society where not only men possessed political power and influence. The book shows that the role of women was not always a domestic one. On the contrary, they actively participated within various aspects of public life such as trade, textile production, medicine, and religious practice.
None mentioned, all forgotten
Both the sagas and the schoolbooks tell us show many benches the master builder Torberg Skavhogg built for the rowers when he equipped the hull of King Olav Tryggvasson’s legendary longship Ormen Lange (“The Long Serpent”). The women who were responsible for weaving the sail, however, are not mentioned by name.
“The Vikings wouldn’t have reached England unless someone had equipped the ships with sails. It is a well-known fact that the Vikings were far ahead of their European neighbours in terms of maritime techniques. In an episode of the TV series Vikings, they make a big fuss about the ship’s anchor, but the sail is not mentioned with a single word,” says Løkka.
The textile production was probably organised hierarchically, where women supervised other women in extensive collaborative work. Løkka adds, “The larger Viking ships used 100 square meter sized sails. In order to produce that, the women needed 200 kilos of wool from approximately 2000 sheep, and it required hundreds of working hours. We are talking about more than just a small-scale family business.”
High school textbooks are the worst
According to the researcher, the models applied to understand the Viking Age ignore the women’s impact and contribution. This is particularly visible in the high school history books. Løkka found that only one among the six most popular history books from the 1990s and 2000s provides its own paragraph on women.
“If women appear at all in the general literature on the field, they are usually depicted as the stereotypical “housewife” who is tied to the farm and the home, not as someone who participates in important social processes,” says Løkka.
In the standard accounts of the Viking Age, the farm is regarded as the smallest, yet most significant unit. Other important institutions in the Viking society are the family, the chiefdom, and the Thing.
The woman is usually associated with the farm and the private sphere, whereas the man is connected to public life. Hence, the gender roles are often described in terms of “inside” and “outside” in order to distinguish between men and women’s responsibilities.
“I’m not saying that the stereotypical representation isn’t feasible at all, but it contributes to a description of the Viking Age based solely on male activities. Most probably the Viking society consisted of other dividing lines and hierarchies where women to a larger degree ranked on top,” Løkka adds.
The “housewife” as business manager
For example, recent research shows that being a “housewife” might involve major responsibility and hard work, particularly if the farm was of some considerable size. The chieftain’s home at Borg in Lofoten, which is the largest known chieftain’s farm, was more than eighty metres long. That is only twenty metres shorter than the Nidaros Cathedral. A typical chieftain’s farm may have had a longhouse of approximately fifty metres. A banquet on such a large farm could easily involve 150 people, all of them expecting to be served food and drinks.
“Running a farm like that is like managing a medium size business. Thus, these women should rather be regarded as business managers than mere housewives,” says Løkka.
With this in mind, one may therefore ask whether this type of feast actually belonged to the so-called private sphere. At these banquets, contracts and deals were made, politics was developed, and alliances were formed.
If the food or drink was unsatisfactory it could cause diplomatic crisis or disgrace. Therefore, the women who cooked and served the meals held an important public function. According to Løkka, categories like inside/outside and private/public have probably become antiquated due to recent research.
Malevolent Viking women
It doesn’t make things better that the women who did position themselves at the top of the male warrior hierarchy were often severely condemned by the later saga writers. This was the case with Queen Gunnhild, who according to tradition received training from Sami magicians. Allegedly, she took over the leadership of her sons’ army when her husband Eirik Blodøks (Eric Bloodaxe) was driven into exile and subsequently killed.
Alfiva, the de facto Norwegian ruler in the beginning of the eleventh century, received an equally bad reputation, becoming highly unpopular after introducing new legislation and a new tax system.
Viking reverie as nation building
Nanna Løkka emphasizes that in many ways the term Viking Age is a nineteenth century construction, which was formed along the lines of the era’s prevailing national romantic ideals.
For instance, historian Jørgen Haavardsholm has noted that the term Viking Age can be connected to a political process in which the goal was to create a nation with a proud and common past where the Vikings served as masculine and unyielding heroes and adventurers.
“An entire period and society has been connected to the Viking raids. In reality, however, only a small number of the men actually went on Viking raids. It has nevertheless added masculine value to the era, and consequently the female half of the population has been neglected,” says Løkka.
Farewell to the Viking Age?
The national romantic heritage is one of the reasons why a new generation of historians preferred to use the more neutral and European term Early Middle Ages in the four-volume history work Norvegr from 2011. Archaeologists, on the other hand, have mainly preferred the term Late Iron Age.
Lokka explains, “I ended up using the term Viking Age primarily because I want people to understand what I am working with. Moreover, the Viking Age sells and attracts attention. But there is definitely an ambivalence there.”
See also: Viking Women: Not as Different as You Might Think
HIGH CRAFT – LOST LIBRARY
Jun 10
Posted by occu77
HIGH CRAFT
This article on Viking clothing reminded me of something I’ve been meaning to discuss for some time now. In my games and in my writings, Craft (and by that I mean High Craft), often plays a large and beneficial role in both individual matters and even in larger events.
Using boots and shoes as an example characters have both found and had created for them (by master craftsmen) footwear that is not magical but rather so well crafted that it provides real benefits, such as resistance to extreme temperatures, resistance to wear and replacement, comfort befitting improved endurance or resistance to things like trench foot or blistering, and when they concentrate upon certain tasks (such as running, hiking, climbing, jumping, or stealth) they give definite though temporary advantages.(The characters must concentrate upon the task, for instance, and declare or show evidence that they are trying hard to sneak, or paying attention to their climb – but then such boots give temporary but definite advantages).Such boots or other items and gear (weapons, clothing, tools, etc.) are not magical at all but rather of such high quality and clever construction that they give measurable advantages over other items not constructed by master craftsmen.
(Though really well constructed items of High Craft might very easily be discovered far more susceptible to being enchanted at a later date than more mundane items. That is to say items of High Craft can be far more easily enchanted or ensorceled and such magics will far more easily affix and permanently secure themselves to objects of High Craft than to less well made implements.)
The same could be said to apply in a larger sense to whole groups of people. Nations with master craftsmen or smiths or even entire shops, foundries, and industrial operations devoted to High Craft (and invention and innovation) can produce gear and weapons and armor and equipment that gives a particular army a real and measurable advantage over another less well equipped force. Maybe even, en masse, a very large advantage. Again, not a magical advantage but a qualitative advantage of High Craftsmanship.
Though in a Tolkienesque sense it could easily be argued that High Craft is a form of “magic.” That High Craft is precisely what much magic really is.
With me however, at least in games, I usually use Magic as something “added to” or above and beyond even the Highest of Crafts. Though in my writings and novels High Craft and Magic are sometime synonymous and interchangeable or fungible, depending upon the particular circumstances of precisely what is being discussed.
I know that some use craft as a part of their game(s) and writings and some do not, but if you do, then what are some of the ways you use High Craft as an advantage on any level?
How do you use and employ High Craft in your own creations?
The Vikings Used Comfortable Shoes
BY THORNEWS on JANUARY 10, 2016 • ( 2 )
All three of these discoveries show a similar construction and form typical for the Middle Ages.
The shoes found in the Oseberg ship consists of two main parts, soles and uppers, and are so-called “turn shoes”.
(Article continues)
Reconstructed boots found in the Oseberg burial mound, by Bjørn Henrik Johansen. (Photo: Bjørn Henrik Johansen/ skinnblogg.blogspot.no)
The shoemaker stitched the shoe together inside out, and then turned right side out when finished. This hides the main seam, prolongs the life and prevents moisture from leaking in.
Viking Age shoes (793 – 1066AD) were well suited for use in wintertime by using thick, felted wool socks and fur inside.
Materials and Tools
Studies of the leather shows that mainly cattle hide was used from the 9th to mid-11th century and was typically 1 – 3 millimeter thick.
(Article continues)
Anglo-Scandinavian Shoe found in Coppergate, York, England. (Photo: definedlearning.com via Pinterest)
A bristle or metal needle was used stitching flax, hemp, or a combination of the two. Shears or blades were used to cut the leather, and a simple awl to punch the holes.
At Coppergate twelve examples of iron shears were found.
Tanning and Color
Vegetable tan was the primary method for tanning, but also alum tans and oil tans were used in luxury leathers.
(Article continues)
Reconstructed Anglo-Scandinavian Shoe found in Coppergate, York, England by Bjørn Henrik Johansen. (Photo: by Bjørn Henrik Johansen/ skinnblogg.blogspot.no)
Modern vegetable tans are much stiffer due to industrialization and shortening of the process and are unsuited for turn shoes.
Like today, elaborately made clothing and shoes were visible proves of high social status.
Scientists have concluded that the better-quality shoes and boots had much more color than can be seen from archaeological discoveries.
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