Yes I would. Scandinavia was a hotbed of technological innovation and experimentation at that general time. Metallurgy, ship-building, social organization, navigation and exploration.
I consider it the early Northern Technological Renaissance.
Which reminds me, the premier of The Vikings is on tonight.
This is superb work by the way.
You probably wouldn’t consider 6th century Scandinavia a hotbed of anything, much less technological and artistic innovation, but that’s precisely what was happening in that region of the world as a result of increased migration in an era that’s actually called “the Migration Period.” From around 400 to 550 CE (Common Era), the northern migration of Germanic tribes, following earlier encroachment by the Romans, brought a great deal of change to Scandinavia–now Denmark, Norway, and Sweden–a region that was predominantly tribal and populated with small farms and settlements. This is the epoch that gave birth to the Vikings and it began with an influx of ideas from the south.
One modern-day Norwegian paid homage to that long-ago period of awakening in his home country by replicating an artifact from that era of burgeoning technology and artistic mastery: Teacher, game developer, and 3D design- and printing enthusiast, Nils Anderssen used his expertise to produce a stunningly accurate reproduction of a 6th-century, double-edged, iron sword with a bronze hilt, which was originally crafted in Snartemo in Southern Norway. Anderssen used the cutting-edge technology of today to recreate a symbol of his country’s ancient, expert craftsmanship.
It has certainly been possible before 3D printing to undertake a project like Anderssen’s, but it has been more expensive and far more time-consuming. Also, Anderssen, who has many talents, is not a professional goldsmith, so he was willingly heading into uncharted territory when he began his Snartemo Sword project. What he did possess was an enthusiasm for history and historical artifacts and, of course, a maker’s curiosity and ingenuity, so he began his project, spending a couple of years figuring out how to go about using 3D printing to create a believable replica.
Eventually, Anderssen uploaded the results of his ongoing project on his website, which prompted the National Museum of Art in Oslo, Norway to approach him about creating a replica of the sword as a companion display to the real sword (which, as we understand it, is part of the permanent collection of the Museum of Cultural History in Oslo). The museum insisted, quite reasonably, that the copy should resemble the original as closely as possible. Visitors would be able to handle the replica, so it needed to feel like the original sword as well.
Equipped with photos and measurements of the sword, Anderssen used 3D Studio Max to create his 3D design. “In Studio Max,” he explained, “I have good control over the thickness and size of the patterns and therefore avoided problems in printing.” The sword’s sharp edges were easily modeled in 3D Studio Max. His secret was to use “almost exclusively…the basic features of the polygon modeling tools…”
Without the capacity to 3D print in bronze himself, Anderssen needed to find a 3D printing service to help him undertake this major part of the sword project. He did his research and opted to enlist i.materialize, whom, he found, could print larger sizes than most other companies. Not unlike the original process of crafting the sword, Anderssen’s replica was created in parts. After he received the 3D-printed bronze pieces from i.materialize, he smoothed them and then had them gilded. He did make one important change: With his design, the hilt was hollow and later filled with wood to make the finished piece more stable and to facilitate easier assembly.
It isn’t clear how and where the blade was produced, but the various pieces of the sword were assembled by Anderssen and the results were spectacular. He had the pleasure after completing the project of seeing his replica placed next to the original sword, by far the greatest test of his success. As the photo emphasizes, the similarities between the reproduction and the original really are remarkable. What a brilliant means of both preserving history without compromising the physical state of an ancient artifact and allowing those of us who want to appreciate such objects to do so in a more interactive way! We hope that this becomes a trend with museums and archives; 3D printing certainly makes it plausible and far more budget-friendly.
Let’s hear your thoughts on Anderssen’s work in the 3D Printed Replica Sword forum thread on 3DPB.com.
Sure look like it would have been a beautiful thing when new. The inscription is incredible…
Intrigue over how German-made 12th century blade, adorned in Sweden, reached Siberia.
The scientists would be keen to hear from European experts who could throw more light on its origins. Picture: The Siberian Times
The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets. The weapon was unearthed by accident in 1975 and remains the only weapon of its kind ever found in Siberia.
An exciting new theory has now emerged that it could have belonged to Tsar Ivan the Terrible, and came from the royal armoury as a gift at the time of the conquest of Siberia. The hypothesis, twinning an infamous Russian ruler and a revered battle hero, could turn it into one of the most interesting archaeological finds in Siberian history, though for now much remains uncertain.
What Siberian experts are sure about is that the beautifully engraved weapon was originally made in central Europe, and most likely in the Rhine basin of Germany before going to the Swedish mainland, or the island of Gotland, to be adorned with an ornate silver handle and Norse ruse pattern.
The scientists would be keen to hear from European experts who could throw more light on its origins.
The blade was made in the Rhine basin of Germany in late 12th or early 13th century. Pictures: The Siberian Times
‘Both sides of the blade have ‘rune’ inscription which was abbreviated’, said archaeologist Vyacheslav Molodin, the man who led the excavation – in Vengerovo district – which found the weapon. ‘The style of calligraphy proves that it was made by people with knowledge of advanced epigraphic writing techniques’.
Russia’s leading experts at the Hermitage Museum in St Petersburg decoded the Latin wording on the one metre long blade.
The main inscription reads: N[omine] M[atris] N[ostri] S[alva]t[ORis] Et[eRni] D[omini] S[alvatoRis] E[teRni], with an additional one on the same side of the blade saying C[hRis]t[us] Ih[esus] C[hRis]t[us]. This means:’In the name of the mother of our saviour eternal, eternal Lord and Saviour. Christ Jesus Christ.’
The inscription on the reverse side is harder to read, but the first word ‘NOMENE’ – clearly seen – helps reconstruct the rest as ‘N[omine] O[mnipotentis]. M[ateR]. E[teRni] N[omin]e’, which means ‘In the name of the Almighty. The Mother of God. In the name of Eternal’.
There has been widespread debate about how the sword ended up in Russia, with assumptions it was either carried along a trade route, or taken as a spoil of war from skirmishes in the region. In one of the hypothesis, Academician Molodin has suggested the blade – currently stored in the collections of the Institute of Archaeology and Ethnography in Novosibirsk – could have been taken from Ivan the Terrible’s armoury and brought to Siberia by the legendary warrior Ivan Koltso, ahead of the conquest of the region.
It was during Ivan’s reign in the late 16th century that Russia started large scale exploration and colonisation of Siberia. Cossack leader Yermak Timofeyevich was hired to take on the Tatar forces under Khan Kuchum and Murza Karachi and lead the eastward expansion of the empire, with the sword a possible gift from the Kremlin.
The sword was uncovered at the base of a tree in the Baraba forest-steppe, less than three kilometres from where it is thought Koltso, Yermak’s closest ally, died in battle. He was declared hero in February 1583, with church bells ringing out in Moscow, when it was announced he and Yermak had taken the capital of the Siberian Khanate, Kashlyk. But his new-found celebrity status did not last long, and he was killed with 40 men during an ambush 18 months later.
‘It was as if it just dscended from some knights’ fairytale’. Pictures: The Siberian Times
Molodin puts a health warning on his new theory but says: ‘Imagine the last battle of the Cossack detachment headed by Ivan Koltso. The attack was unexpected. Picture someone immediately being killed by a treacherous stab in the back, and someone else grabbing a sword to fight the advancing Tatars.
‘They are unequal forces and the Cossacks are trying to break through the crowds of enemies, but the ranks of the fighters are melting rapidly. Ivan strikes not one opponent. In his hands, the glittering giant sword, a gift from the Russian Tsar.
‘In desperation Ivan and a few survivors of the Cossacks literally hack their way to their waiting horses.
‘Ivan’s leg is already in the stirrup and he is racing on the steppe, with his horse taking him further from the bloody battle. Behind him they chase, with arrows flying. And then, suddenly, the sword falls out of the hands of the hero and drops to the ground under a young birch tree.
‘I am not sure that I am right, imagining all this, but the legend is really beautiful.’
He told Science First Hand magazine: ‘I must note that none of the scientists mentioned it, perhaps because they didn’t take it seriously. The only person who really liked that theory was (noted) Academician (Alexei) Okladnikov. He even mentioned it in one of his last works.
‘The hypnotise looks so brave and even fantastical that these days it is unlikely that I would mention it in a scientific work. But on the other hand, it does look very beautiful, plus life can often be more incredible than anything fantastical.
‘Even now when I am writing this I believe that we should not exclude the version that the sword could have got to Baraba together with Yermak’s squadrons. Despite his Cossacks having sabres and firearms, they were still using swords. So it was quite possible they were using them during that trip’.
Vyacheslav Molodin: ‘Life can often be more incredible than anything fantastical’. Picture: The Siberian Times
It was during the summer of 1975 that Molodin, then a young archaeologist, had been working on the banks of the River Om with a group of students from Omsk and Novosibirsk. Their aim was to study the settlements and cemeteries of the Bronze Age, with a focus on group burials.
At a separate site another group of students had been excavating near a large birch tree, but were under instruction from Molodin not to go near it, certain that no one was buried there. However, Alexander Lipatov, the head of the excavation team, disobeyed the brief and stumbled upon what they thought was a rusty scythe just five centimetres under the grass. As they dug further it became apparent it was a large sword.
Mr Molodin told The Siberian Times: ‘The sword wasn’t hidden deliberately, or ‘buried’. It was lying at a depth of 3-5 cm, right under the soil near the birth tree which was close to an old road. I remember the moment we found it as if it was yesterday.
‘We were not supposed to work in the area where we found the sword. It was one of my younger colleagues Alexander Lipatov who decided to ‘prolong’ the excavation site towards a big birch tree. I remember getting annoyed when I saw it – the area along the birch tree roots was visibly very hard to dig, while my estimates were that the burial mound was not stretching as far as the tree, so there was no point to clear up that space anyway.
‘I expressed my reservations about it to Alexander, and he accepted them, but said that he was nervous about making a mistake in defining the site’s borders and decided to go a bit further ‘just in case’.
‘If it wasn’t for his ‘mistake’ we would have never found the sword.
‘It was incredibly well-preserved, yet I was scared to raise it from the ground’. Pictures: The Siberian Times
‘It was close to lunch time when I was suddenly asked to come to that plot of land near the birch tree to ‘check up some piece of iron’, as they said. ‘Most likely it would be a scythe’, I thought to myself as I walked towards the site where they found it.
‘Looking back, I see how it was a pure stroke of luck. Every man in our expedition longed to take it and hold it his hands, it was an incredible piece of armament’.
Mr Molodin told Science First Hand magazine: ‘Carefully and slowly we cleaned the soil off, uncovering a strip of iron, which was wider at one end, and narrower at the other. It took us an hour to clear the soil completely to see a massive sword, about a metre long with a typical iron hilt of medieval knight’s swords with a clearly expressed crossbar guard and tripartite pommel.
‘It was incredibly well-preserved, yet I was scared to raise it from the ground. I was scared it would fall into pieces in my hands.
‘Finally I put my thin bladed knife underneath the sword and raised it… You know, I’ve seen swords like this in museums and in scientific books, but it was my first time ever to hold it in my hands. It was as if it just descended from some knights’ fairytale.
‘I slowly twisted it, noting sparkles of silver on the guard and blade. It was so well preserved that you could in fact use it in the battle almost straight away. Others took to look at the find, too.
‘Finally like a water through rushing through a dam, the shock of realising what we’ve just found broke through and we began talking all at the same time. I can’t describe the feeling of surprise and excitement.
‘How did it get here, in the heart of the Western Siberia, this clearly so European looking medieval sword? How did it preserve so well? Where did it come from? ‘
‘Every man in our expedition longed to take it and hold it his hands, it was an incredible piece of armament’. Pictures: The Siberian Times
Swords such as these were not typical in Russia or across Asia, and it was more similar to those widely used by European knights. After extensive research on ancient weapons, Vyacheslav Molodin prepared a report on his findings and concluded it was from Europe and dated to the late 12th or early 13th century.
Questions as to how the sword reached Russia from Sweden have been asked since 1976, with the first theory that it was carried during trade missions.
According to Arab historians, in the middle of the 12th century there was an ancient northern path through Russia to the River Ob, called the ‘Zyryanskaya road’ or ‘Russky tes’. Over the centuries archaeologists have found a treasure trove of coins, silver vessels and medieval jewellery in the Urals and lower reaches of the Ob, having travelled from the west.
The downside to this theory is that the steppe, where the sword was found, is separated from the lower and middle Ob by hundreds of kilometres of rugged forests and swamps. Others have argued the weapon could easily have travelled east as a result of bartering, or as a spoil of war from skirmishes between the Turkic people of the steppe and the nomadic Urgic population of the Siberian taiga.