Category Archives: Discovery

WESTERN MAN and THE DRAGON BLADE

There is very little “historical” about this film. And they have obviously Chinese-filmed up and heavily stylized (and cheapened) the armor and many of the weapons. Meaning even less historicity.

Nevertheless, when I was in college one of the first plays I ever wrote was called Western Man. It was about a Greek Christian who had served his enlistment in the Roman Army in North Africa and Syria and decided to travel East along the Silk Road with some of his fellow Greeks as a merchant and wanderer. Eventually he ends up in Western China and settles and marries there, where, because of invasion (being a Christian he hopes the latter part of his life will be peaceful and almost monastic) he must train the surrounding village in Roman fighting tactics at the same time many of them wish to learn about Christianity.

In the resulting warfare his wife his killed and he decides to return West with his infant son, only to make it as far as Samarkand where he ends up becoming the chief merchant and wealthiest man in the city (shy of the rulers).

For that reason alone I am intrigued by the premise of this film and wonder if the film might actually have a shot at being good. I’d like to think it possible anyway.

The Trailer for Dragon Blade, Starring Jackie Chan and John Cusack

December 26, 2014

Dragon Blade

Although the Chinese production is not yet set for an official release domestically, the historical epic Dragon Blade will open on February 18, 2015 in China in regular, 3D and IMAX 3D theaters. The film has now debuted a first trailer, via Check Magazine, and you can check it out for yourself in the player below!

Directed by Daniel Lee (14 Blade, Three Kingdoms: Resurrection of the Dragon), Dragon Blade stars Jackie Chan (Rush Hour, 1911), John Cusack (Being John Malkovich, High Fidelity), Adrien Brody (The Darjeeling Limited, Splice), Peng Lin (Little Big Soldier, The Viral Factor), Si Won Choi (“Athena: Goddess of War,” “Extravagant Challenge”) and Sharni Vinson (You’re Next, Bait). Chan also produces Dragon Blade alongside Susanna Tsang.

Set in China during the Han dynasty (206-220 AD), Dragon Blade follows Huo An (Chan), an official framed and enslaved for a crime he didn’t commit. Soon thereafter, however, he meets Roman soldier in Cusack’s Lucius and the pair begin to form an unlikely alliance.

We’ve also updated our Dragon Blade gallery with quite a few stills from the new film and with character posters featuring Chan, Brody, Cusack and many more. Check them all out in the gallery viewer at the bottom of this page.

 

THE SUNKEN CAER SIDI OF LYONESSE

The Lost Land of Lyonesse – Legendary City on the Bottom of the Sea

The Lost Land of Lyonesse – Legendary City on the Bottom of the Sea

In Arthurian legend, Lyonesse is the home country of Tristan, from the legendary story of Tristan and Iseult.  The mythical land of Lyonesse is now referred to as the “Lost Land of Lyonesse,” as it is ultimately said to have sunk into the sea. However, the legendary tale of Tristan and Iseult shows that Lyonesse is known for more than sinking into the ocean, and that it had a legendary presence while it remained above ground. While Lyonesse is mostly referred to in stories of legend and myth, there is some belief that it represents a very real city that sunk into the sea many years ago. With such a legendary location, it can be difficult to ascertain where the legend ends and reality begins.
The story of Lyonesse most logically begins with Tristan and Iseult. The story of Tristan and Iseult is a tragic story of love and loss. It is an Arthurian tale, inspired by Celtic legend. It is said that the story was possibly the inspiration for the romance of Lancelot and Guinevere, as both stories push the boundaries of love, family, loyalty, adultery, and betrayal. While the story of Tristan and Iseult can vary based upon who is telling it, the plot follows a common theme. Tristan, a young boy from Lyonesse who has been orphaned, it taken in by his uncle, King Mark of Cornwall, which borders Lyonesse.
Tristan and Iseult. The End of the Song by Edmund Leighton
Tristan and Iseult. ‘The End of the Song’ by Edmund Leighton, 1902 (Wikimedia Commons)
As the years pass by, Tristan is very loyal to his uncle, as he raised him as his own son. When Tristan is grown, Mark sends him to Ireland to retrieve the fair maiden Iseult and bring her to Cornwall, as she and King Mark are set to marry. Tristan loyally follows his uncle’s orders, and journeys to Ireland.  On the return trip from Ireland, however, the pair are exposed to a love potion and fall madly in love with one another. Iseult eventually arrives in Cornwall and marries King Mark, but the love potion is very powerful, and Tristan and Iseult cannot deny their love for one another. Tristan and Iseult both love King Mark, but their love for one another is stronger. Eventually the pair is discovered and King Mark is devastated. While Tristan should be sent immediately to the gallows for adultery, King Mark harbors an affection for him, as his nephew. King Mark agrees to forgive Tristan, on the condition that Tristan return Iseult to him. Tristan does so, and he and King Mark make amends.
Iseult with King Mark, Edward Burne-Jones
Iseult with King Mark, Edward Burne-Jones, 19th Century (Wikimedia Commons)
In most variations, the sinking of Lyonesse occurs well after the stories of Tristan, Iseult, and King Mark take place. The sinking itself is not mentioned in Arthurian legend, although some say that Lyonesse sunk when Tristan left for King Mark’s court.  In Lord Tennyson’s epic Idylls of the King, Lyonesse is the location where Arthur and Mordred fought their final battle. One passage foreshadows Lyonesse’s sinking:

Then rose the King and moved his host by night
And ever pushed Sir Mordred, league by league,
Back to the sunset bound of Lyonesse –
A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.

There are some variations in the legends that surround the sinking of the land. Prior to its sinking, Lyonesse would have been quite large, containing one hundred and forty villages and churches. Lyonesse is said to have disappeared on November 11, 1099 (although some tales use the year 1089, and some date back to the 6th century). Very suddenly the land was flooded by the sea. Entire village were swallowed, and the people and animals of the area drowned. Once it was covered in water, the land never reemerged. While the Arthurian tales are legendary, there is some belief that Lyonesse was once a very real place attached to the Scilly Isles in Cornwall, England. Evidence shows that sea levels were considerably lower in the past, so it is very possible that an area that once contained a human settlement above-ground is now beneath the sea level.
Scilly Isles
Some believe that Lyonesse was a real place attached to the Scilly Isles (pictured). Source: BigStockPhoto
It is said that all that remains of Lyonesse is today’s still-standing island of Scilly. Fisherman near the Scilly Isles tell tales of retrieving pieces of buildings and other structures from their fishing nets. These stories have never been substantiated, and are viewed by some as tall tales. They also say they can see remnants of a forest when the sea is at low tide. On a more ghostly and spiritual level, some claim to hear the church bells of Lyonesse ringing during stormy times. As the legends of Lyonesse continue in today’s story-telling, it also remains a part of modern English literature. In 1922, Walter de la Mare wrote:

In sea-cold Lyonesse,
When the Sabbath eve shafts down
On the roofs, walls, belfries
Of the foundered town,
The Nereids pluck their lyres
Where the green translucency beats,
And with motionless eyes at gaze
Make ministrely in the streets./
And the ocean water stirs
In salt-worn casement and porch
Plies the blunt-nosed fish
With fire in his skull for torch.
And the ringing wires resound;
And the unearthly lovely weep,
In lament of the music they make
In the sullen courts of sleep:
Whose marble flowers bloom for aye:
And – lapped by the moon-guiled tide
Mock their carver with heart of stone,
Caged in his stone-ribbed side.

It is no surprise that the story of the sinking city of Lyonesse has come forth with many variations throughout the years. The image of a large, functioning city inhabited by thousands of people suddenly sinking into the sea, never to emerge again invokes an image that is both awesome and horrifying. From the legendary tales of Tristan and Iseult, to Arthur’s final battle with Mordred, to the stories of a city being swallowed by the sea, the tales of Lyonesse invoke a vast array of thoughts and emotions by those who wish to know more about this legendary city, and who like to believe that it’s legendary tales are founded upon a very real lost city.
Featured image: Artist’s depiction of Lyonesse being swept away (AnnoyzView)
Sources:
The Legend of Lyonesse – Lyonesse Falmouth. Available from: http://www.lyonessefalmouth.co.uk/legends/legends.html
Lyonesse – Wikipedia. Available from: http://en.wikipedia.org/wiki/Lyonesse
The Land of Arthur: Lyonesse – King Arthur’s Knights. Available from: http://www.kingarthursknights.com/theland/lyonesse.asp
Lyonesse – Princeton. Available from: https://www.princeton.edu/~achaney/tmve/wiki100k/docs/Lyonesse.html
Lyonesse, the lost land off Cornwall – Legend of King Arthur. Available from: http://www.legendofkingarthur.co.uk/cornwall/lyonesse.htm
Tristan and Iseult – Wikipedia. Available from: http://en.wikipedia.org/wiki/Tristan_and_Iseult
By M R Reese

VIKING BOAR AND MEAD

Venison with mead, haunches of boar and the occasional bowl of RISOTTO: The surprisingly tasty treats enjoyed by the Vikings revealed

  • Jesper Lynge, 44, from Aalborg is attempting to revive Viking food
  • Says they used spices and lots of vegetables as well as roast meat
  • ‘Beserke’ warriors would eat anything – including magic mushrooms
  • Others had considerably more refined tastes and loved barley risotto 

Jesper Lynge, 44, is a chef on a mission. But it’s not the pursuit of the perfect foie gras or uncovering the world’s tastiest oysters that gets him going. Instead, his passion is for Viking food.

Based at the picturesque Lindholm Høje just outside Aalborg in northern Denmark, Lynge, a red-haired giant of a man, looks every inch the beserker – and has learned to cook like one too.

But don’t expect charred cuts, industrial quantities of schnapps and barrels of pickled herring. The Vikings, says Lynge, not only loved spices, they were partial to a bowl of risotto too.

Man on a mission: Chef Jesper Lynge is attempting to revive Viking cuisine from his Aalborg restaurant

Man on a mission: Chef Jesper Lynge is attempting to revive Viking cuisine from his Aalborg restaurant

‘The menu during the Viking period was decided by the season, as they needed to take use of the available ingredients,’ he explains.

‘Lots of the food that is fashionable today is similar to what they ate. They ate lots of root vegetables, cabbage and lots of different types of wheat and corn – definitely not just meat.’

Indeed, so adept were the Vikings at preparing vegetables, many of the techniques they pioneered are still in use today, notably the method of fermenting cabbage used to make sauerkraut.

They also, says Lynge, liked a sweet and sour supper, combining savoury game meat such as venison with sauces made from foraged berries.

Nevertheless, not every part of the Viking menu sounds quite so tasty. ‘There was one sort of warrior called berserkere [beserkers] who would eat anything,’ he concedes.

‘These types of warriors were very special. They would have eaten everything they could get their hands on, including psychedelic mushrooms.’

Tasty: Despite their ferocious reputation, Mr Lynge says Vikings loved vegetables - and barley risotto

Tasty: Despite their ferocious reputation, Mr Lynge says Vikings loved vegetables – and barley risotto

Feast: Roast boar and venison were feast day favourites and awaited warriors in Valhalla

Feast: Roast boar and venison were feast day favourites and awaited warriors in Valhalla

Luckily for visitors to Lynge’s Viking themed restaurant, there are no magic mushrooms on the menu, although there are plenty of unusual herbs, many of which he grows himself.

There’s also ‘festive’ wild boar and ‘barleyotto’ – an early version of the classic Italian dish made with barley grains.

Fish, mostly taken from the icy North Sea waters off the Aalborg coast, is also a highlight, although this being Denmark, much of it is herring.

‘We do not use any ingredients that weren’t available for the Vikings,’ insists Lynge. ‘Many of the techniques they used, we do too.’

Lynge, who himself bears more than a little resemblance to the beserkers of years gone by, is certainly in the right place.

Denmark is famous for its Viking past and Aalborg, with its network of fjords, sandy bays and concealed islets, is no exception.

Further north is Skagen – known to the terrified English as ‘The Scaw’ – which, despite its picture perfect modern face, was, during the Viking period, the ideal jumping off point for raids on the Norfolk coast.

Lindholm Høje, where Lynge’s Viking eatery is based, was itself a Dark Ages settlement and was once directly on the coast, although the passing centuries have left it landlocked.

A cluster of what initially look like stone circles, it is in fact a burial ground where clan chieftains and slaves alike were buried with varying degrees of pomp and circumstance.

They were also buried with jewels, tools and crucially – for Lynge at least – their cooking implements, all of which have helped him build up a picture of the Viking menu.

It was, with its vegetables and grains, a varied one and one that was enlivened considerably once the Vikings worked out a route to Constantinople (now Istanbul) where they proved enthusiastic customers at the city’s many spice markets.

‘They travelled to Constantinople regularly,’ explains Lynge. ‘It all began with Halfdan Skallesmækker, who travelled there and brought home a lot of fine spices.

Delicious: This sweetheart cabbage and berry salad (recipe below) is a Viking classic

Delicious: This sweetheart cabbage and berry salad (recipe below) is a Viking classic

Food fit for Thor: Venison with ham and mead (recipe below) was another warrior favourite

Food fit for Thor: Venison with ham and mead (recipe below) was another warrior favourite

Remnant: Mr Lynge's restaurant is based at Lindholm Høje, an important Viking site in north Jutland

Remnant: Mr Lynge’s restaurant is based at Lindholm Høje, an important Viking site in north Jutland

THE BEARSKIN-CLAD WARRIORS WHO MENACED BRITAIN

Fiery portents, a dragon seen streaking across the Northumbrian sky and whirlwinds lashing the coast could mean only one thing to the fearful Anglo-Saxons watching the heavens in 793 – doom was imminent.

And doom duly came in the shape of the Vikings, who between 793 and 1066 were a hazardous part of life for the Anglo-Saxons.

Beginning with the Lindisfarne attack, their power and influence grew and by 849, the year King Alfred the Great was born, they held much of the north and east.

Although King Alfred managed to halt their advance, raids didn’t cease until after the Norman Conquest.

And while the Vikings may be gone from British shores, their influence does live on in our culinary traditions as well as the English language.

Beserk, which means murderous rage, comes from the Anglo-Saxon ‘beserker’ or clad in bear-skin – an early term used to describe the Vikings.

Other words inherited from the Vikings include the days of the week, most famously Thursday – or Thor’s Day.

‘This was the Viking’s first encounter with exotic spices like cinnamon, cardamom, star anise, ginger and black pepper.’

The Danes first encounter also proved to be the British people’s first encounter, as Lynge enthusiastically points out.

‘In the Nordic countries and in England, the same spices are still used today. Among other things, English blood sausage contains many of these spices, and you will also find them in Scottish haggis and Christmas cakes.

‘In Denmark, there’s a popular Christmas biscuit called the pebbernød, which can be traced all the way back to the year 1200.

‘At Christmas, it is tradition to make pebernød and another biscuit called brunkager, both of which contain variations on these warm spices, which is also the case with many British Christmas cakes.’

Spices, risotto and sauerkraut aren’t the only culinary traditions passed down by the Vikings, however.

Porridge too was a Viking favourite as was the classic roast dinner, although the beserkers, unsurprisingly, preferred Danish pork to British beef.

‘The pig is one of the most festive animals that were present in the Viking time,’ says Lynge. ‘This is evident in the mythology, most notably in the story of Frej – the god of fertility.

‘His transport animal is not a horse; it is a wild boar. Today, the ultimate Nordic feast dish is still roast pork. Or the Christmas ham.’

Like their neighbours, the Vikings were also fond of game and, come feast days, would tuck into Valhalla style banquets based on venison, poultry and even songbirds.

‘They also had rabbit, hare, birds and ducks,’ says Lynge. ‘They weren’t too bothered about what sort of bird they were eating. A bird was a bird.’

All change: Picturesque Aalborg is now a lively modern city but was once a Viking settlement

All change: Picturesque Aalborg is now a lively modern city but was once a Viking settlement

Remote: North Jutland's network of pretty bays and winding fjords made it the perfect haunt for Vikings

Remote: North Jutland’s network of pretty bays and winding fjords made it the perfect haunt for Vikings

The Skaw: Now a pretty fishing port, Skagen was once a jumping off point for Viking raids on England

The Skaw: Now a pretty fishing port, Skagen was once a jumping off point for Viking raids on England

Ancestors: According to Mr Lynge, 80 per cent of English people boast Scandinavian genes

Ancestors: According to Mr Lynge, 80 per cent of English people boast Scandinavian genes

While Lynge is yet to cook any songbirds, he does think the Vikings deserve more credit for their culinary traditions, many of which still influence modern British, Danish and Swedish dishes.

‘There’s a common cultural heritage,’ he explains. ‘Much of northern European culture has its roots in the Viking Age.

‘The British might talk about the Vikings attacking and being violent and that might be true, but 80 per cent of English people have Viking genes. In that sense, we are one common people.’

Nevertheless, the Viking menu certainly helped fuel the raiders, even if stories of mass schnapps sessions prior to battle are nothing more than a myth.

‘What made the Vikings such great and feared warriors was their perception of heaven and the afterlife,’ says Lynge.

‘They were not afraid of dying and they were especially not afraid of dying in a battle. Just imagine fighting against a big man, who believes that if he dies while he is giving his best in a battle, then he will be sent on to an eternal party.’

And with spiced venison and perfectly cooked roast boar on the party menu, you hardly blame them for looking forward to it.

FANCY EATING LIKE A VIKING? JESPER LYNGE REVEALS HOW IT’S DONE

Roast boar might have been the Vikings’ party food of choice but venison was almost as popular, as Jesper’s delicious recipe proves. Here’s how cooking like a Viking is done:

VENISON WITH MEAD AND MUSHROOMS

One venison filet

Four slices of mature ham or good bacon

250g butter

Handful of fresh mushrooms

300ml cream

200ml mead

Check the fillet for tendons and remove. Cut the meat into four pieces and wrap each one in a slice of ham, fixing it in place with a tooth pick.

Clean the mushrooms and slice or chop them. Next, brown 50g butter in a frying pan, then add the meat and cook to medium. Remove from the pan and cover with a paper towel and leave to rest while you make the gravy.

Place 100g of butter in your pan and let it brown. Fry your mushroom until they take on some colour. Next, add the mead and let it reduce by a third before adding the cream. Reduce again by two thirds, before removing the pan from the heat and stirring in the rest of the butter.

Serve the meat in the pan and grin along with the Norse gods as you enjoy it.

BAKED BABY BEETROOTS 

1kg baby beetroots

100g butter

100g honey

Peel the beetroots and dry them. Melt the butter and honey in a frying pan, then add the beetroots, covering them completely in the mixture.

Bake the beetroots for approximately 45 minutes at 175 degrees. Check and turn the beetroots regularly.

SWEETHEART CABBAGE SALAD

400g sweetheart cabbage

Eight baby leeks or  one large one

One pear

A dash of apple cider vinegar

Small handful of blackberries and blueberries

3tbsp rapeseed oil

Sprinkling of chopped parsley

Salt and pepper to taste

Cut the sweetheart cabbage into 5mm slices and place in a large serving bowl.

Cut the pear into thin slices, add the parsley and drizzle both with apple cider vinegar before throwing all of it over the cabbage with the blackberries and blueberries.

Fry the leek in rapeseed oil with a pinch of salt until the edges turn brown and add to the salad as a topping

All dishes serve four

For more information on Aalborg, Skagen and North Jutland, see visitdenmark.co.uk 

ONE IF BY LAND… THE TIME CAPSULE

Paul Revere’s 1795 time capsule unearthed

By Todd Leopold and Kevin Conlon, CNN
updated 7:41 AM EST, Fri December 12, 2014
Source: WCVB

STORY HIGHLIGHTS
  • Workers fixing a leak at the State House discover nearly 220-year-old time capsule
  • Capsule was buried in 1795 by Paul Revere, Sam Adams
  • Contents will be revealed next week

(CNN) — A time capsule buried by patriots Samuel Adams and Paul Revere more than two centuries ago was unearthed Thursday in Boston.

The box-shaped capsule was placed by the Revolutionary-era duo in a cornerstone of the Massachusetts State House in 1795, the year construction began on the building, CNN affiliate WBZ reported.

When current-day workers repairing a water leak found the hidden antique, they called in a local expert from the Museum of Fine Arts who spent the better part of Thursday delicately and painstakingly chipping away at the cornerstone trying to extricate it.

“What we know the box contains, based on the notes that we have, is a Paul Revere plate, papers, and coins from the 1600s,” said Massachusetts Secretary of State William Galvin, who also heads the state’s historical commission. “It may contain other stuff too, we don’t know that yet,” he said.

Galvin told CNN that the capsule’s contents are expected to be revealed sometime next week. For now, it’s getting some TLC and a thorough exam — including X-rays — by the museum’s staff.

“The contents are of concern, but the plaster that held the box in place is in good condition,” he said.

This is not the first time this particular capsule was unearthed, according to Galvin. In 1855 it was dug up during emergency repairs to the State House and put back in place when the cornerstone was reset.

Extra precautions were taken then to ensure the box’s safekeeping.

“There were some coins that were tossed in the 1855 ceremony in the mix of the mortar. They are in good condition so we are optimistic that the box itself has withstood the test of time and that it will therefore be holding the contents securely,” Galvin said.

Galvin says both time-capsule events — in 1795 and in1855 — were chronicled in detail, and said his office is looking into whether the box will be reinstated and whether new items from the current era will be added to the box and reburied.

113-year-old time capsule found in Boston

CNN’s Carma Hassan contributed to this story.

GAMING INSPIRED REAL LIFE ADVENTURES

I’ve recently been thinking about real life adventures I’d like to take that were inspired by gaming. Or rather, to be more accurate, I have done these things in games (as well as researched them in real life), and therefore I’d now like to do them in real life as well.

Some of these things I imagine I may never get the chance to do (though you never know), but others I suspect I will get to do. Also I’ve already done many things in real life that I have also done in games, and vice versa, but I always thought of imaginary expeditions and adventures and real life adventures as cross-fertilizing one another. So for instance I have been a near life-long Vadder, and to me D&D (for example) was simply a form of complimentary vadding of the imagination.

 

So these are things I’ve done in games that I’d like to do in real life in the future:

1. I’d like to walk or travel by horse and camel the Silk Road, starting from Istanbul (Constantinople) and then all the way into China.

2. I’d like to sail the entire world, starting from the East Coast of America (Charleston) to land on the West Coast of America, when finished, in a true sailing vessel. Though I’d probably take along an engine enabled craft just as an emergency back-up. I’d christen her the Endeavour, after my old ship.

sail

3. I’d like to thoroughly explore the cistern system of Constantinople, along with any other underground and abandoned areas of that ancient city that I could possible make my way into.

4. I’d like to buy a small keep or castle in England or Scotland (maybe Bohemia) and then use the surrounding lands to raise really good horses. On that estate I’d also like to build a small private amphitheatre, and an observatory, and a good solid library complex, all of my own design. After I got a good herd up and the estate was flourishing I’d rent it out and then let the caretakers continue raising the stock. I’d probably thereafter vacation there.

cre

5. I’d like to put together an archaeological expedition into Central (preferably) or South America and make a new discovery.

6. I’d like to track down and discover an animal thought extinct or very rare and then photograph and record it.

7. I’d like to explore a previously unexplored or only very rarely explored underground complex. Natural or man-made (long abandoned).

8. I’d like to visit some ancient libraries (especially old monastic collections) and read and study some very rare texts. And I’d like to visit some relical shrines in the Middle East.

lib

9. I’d like to retrace the Lewis and Clarke expedition route by foot and horse. And then motorcycle back across the country on the way home.

lc

10. I’d like to build a real and working ballista (based on an ancient Greek or Roman design) from scratch (no kit), and have forged for me a really fine katana made by a skilled Japanese swordsmith with an inlain pattern design I invented and sporting my family and personal crests.
So, what are some things you’ve done or built or accomplished in games that you’d also like to do in real life?

DWINE

The man is a True Artist

Dwine – Broadseax

Dwine – intransigent verb \ˈdwīn\

: to waste or pine away: languish

– Merriam-Webster Dictionary

 

Between the words in old sagas, between the rhyme and meter, I sense a presence—the words not said, the gods not named. I imagine these characters, the unspoken ones. One of them is called Dwine. In the world of mythology there is balance, what is lost in one place is found somewhere else. As the warrior diminishes, something else grows. His name is like the sound of bare branches in the wind. The second half of life is his domain. The force and wrath and strength of the young, that drains away as time passes goes somewhere. It goes into Dwine.

Germanic peoples during the migration period carried elaborate swords with pattern welded blades and bright ornamented scabbards and hilts. They also carried big knives, which grew larger over the period. These were brutal unlovely things; the blades had a strange looking humped back with a straight edge. Archeologists call this family of knives seaxes, after the Germanic word for ‘knife’.

 

Swords embody a world of stories, of dragon slayers, leaders, and noblemen whose ancestors are gods and kings. The knife has a different story and like the gods I imagine, it is untold. It’s an implied story, unlovely as the blades themselves. The characters are common folk, not descended from kings, yet their story is older. The seax cut hearth wood and slave-taker, it protected crops not castle walls. The gnarled-handed people who held these knives called on names that weren’t recorded.

 

 

I forged the blade for this Seax as a demonstration at a smith’s moot called CanIron VIII with help striking from my friend and fellow swordsmith Jeff Helmes.

The blade is constructed from five strands, the four spine strands are nine twisted layers each and the edge bar is 700 layers of folded steel.

 

I’ve been exploring seax hilts on paper for years. It’s a challenging form to design with few examples of intact hilts. Petr Floriánek has been doing allot of work in exploring ancient Germanic aesthetics, especially as it relates to the seax. His work has inspired me to look deeper into this form.

I decided to follow my sense of the grimness of these blades. I chose oak for the grip and leather for the sheath. Oak has commonness; it’s the wood of the spade handle, the door lintel. It’s a peasant wood with roots in the oldest myths. It’s the wood of Thor and Taranus and Zeus— lightning gods and unpredictable protectors.

 

Blank faces look out from the ferules, turning away from the centerline of the knife to be clothed in expression along the edge and spine, where the blade speaks its knife language.

The sheath is woven with dream creatures, neither man nor beast, twisting in and out of sense.

 

 

The grip is carved from oak with skeletal beaked serpents.

 

 

I carve the fittings from wax and cast them into bronze.

 

 

Finally I assemble the parts, capture the light they reflected yesterday and collect words together, try to describe what I was doing, what the grim faces mean, but this story is not told in words.

blade – 32 cm / 12 3/4″

hilt – 24.2 cm / 9 3/8″

blade width – 4.5 cm / 1 3/4″

overall length – 56.2 cm / 22 1/8″

 

“One look in his eye

everyone denies

ever having met him.”

-Tom Waits

OLD SARUM

Old Sarum survey reveals new information about medieval city layout

Aerial view of Old Sarum. Image: English Heritage

Aerial view of Old Sarum. Image: English Heritage

Archaeologists from the University of Southampton have revealed for the first time the plan of a network of buildings in a once thriving medieval city at the historic site of Old Sarum, near Salisbury (south England).

A research team of students and academics carried out a geophysical survey of the ancient monument, scanning ground at the site with state-of-the-art equipment to map the remains of buried structures. They concentrated their survey around the inner and outer baileys of what was once a fortification, with its origins in the Iron Age and the Roman conquest.

Students surveying Old Sarum. University of Southampton

Features

Their investigations reveal the layout of a settlement including structures from the late 11th century, contemporary with the construction of a cathedral and castle. The city was inhabited for over 300 years, but declined in the 13th century with the rise of New Sarum (Salisbury).

The project findings mainly concentrate on the medieval period and highlight:

* A series of massive structures along the southern edge of the outer bailey defensive wall, perhaps suggesting large buildings of a defensive nature.

* An open area of ground behind these large structures, perhaps for mustering resources or people, or as part of a circular route through the city.

* Residential areas in the south east and south west quadrants of the outer bailey alongside the inner bailey ditch.

* Evidence of deposits indicating industrial features, such as kilns or furnaces.

* Features suggesting quarrying at the site after the 1300s and following the city’s decline – indicating a later period of habitation at the site.

Archaeologist Kristian Strutt, Experimental Officer and Director of Archaeological Prospection Services at the University of Southampton, says: “Archaeologists and historians have known for centuries that there was a medieval city at Old Sarum, but until now there has been no proper plan of the site.

Our survey shows where individual buildings are located and from this we can piece together a detailed picture of the urban plan within the city walls.”

sarum2

A new layer to the story

The research was conducted as part of the Old Sarum and Stratford-Sub-Castle Archaeological Survey Project, directed by Kristian Strutt and fellow Southampton archaeologists Timothy Sly and Dominic Barker. Old Sarum is under the custodianship of English Heritage, who kindly granted permission for the investigation to take place.

Heather Sebire, Property Curator at English Heritage, comments: “Having the team of archaeologists on site over the summer gave our visitors a chance to find out more about how important historic landscapes are surveyed. The use of modern, non-invasive surveying is a great start to further research at Old Sarum.

From this work we can surmise much about the site’s past and, whilst we can’t conclusively date the findings, it adds a new layer to Old Sarum’s story. We welcome the chance to find out more about our sites, and look forward to exploring ideas for further research in the future.”

The team used a variety of techniques to examine the outer and inner bailey of the site. These included the use of topographic survey methods and geophysical survey techniques – comprising of magnetometry, earth resistance, ground penetrating radar (GPR) and electric resistivity tomography (ERT) survey.

Kristian Strutt concludes: “Our research so far has shown how the entire outer bailey of the monument was heavily built up in the Middle Ages, representing a substantial urban centre. Results have given us compelling evidence as to the nature of some of the structures. It is clear, however, that there is more non-intrusive work that could be carried out to further expand our understanding of the site.”

A training exercise

The team hopes to return to complete the survey of the inner and outer baileys and survey the Romano-British settlement to the south of Old Sarum in Easter 2015. The project fieldwork in 2014 was used as a training season for undergraduate and postgraduate archaeology students at the University, continuing a long tradition of research-led teaching at some of the most impressive archaeological sites in the south of England. Previous fieldwork has been conducted by students at Portchester Castle, Netley Abbey and Bishop’s Waltham Palace in Hampshire, and at Bodiam Castle in East Sussex.


THE HERODIAN ERA TEMPLE

Although not generally listed as such, it was truly one of the Wonders of the ancient world.

The Temple Mount in the Herodian period (37 BC–70 A.D.)

Leen Ritmeyer   •  12/03/2014

This post was originally published on Leen Ritmeyer’s website Ritmeyer Archaeological Design. It has been republished with permission. Visit the website to learn more about the history of the Temple Mount and follow Ritmeyer Archaeological Design on Facebook.


Following on from our previous drawing, the Temple Mount during the Hellenistic and Hasmonean periods, we now examine the Temple Mount during the Herodian period. This was, of course, the Temple that is mentioned in the New Testament.rit1

In 19 B.C. the master-builder, King Herod the Great, began the most ambitious building project of his life—the rebuilding of the Temple and the Temple Mount in lavish style. To facilitate this, he undertook a further expansion of the Hasmonean Temple Mount by extending it on three sides, to the north, west and south. Today’s Temple Mount boundaries still reflect this enlargement.

The cutaway drawing below allows us to recap on the development of the Temple Mount so far:

rit2

A visualization of this Temple Mount was made possible by combining the historical sources with the results of archaeological exploration. The main historical source is the first-century historian Josephus Flavius. His works, The Jewish War and Jewish Antiquities, although prone to exaggeration, are indispensable for this period. Also invaluable is the Mishnah, the earliest code of rabbinic law, written about 200 A.D., particularly the Tractate Middot, which deals with measurements. The New Testament adds further detail and context. All this was augmented by the results of the excavations to the south and west of the Temple Mount following the Six-Day War in 1967.


Read “Quarrying and Transporting Stones for Herod’s Temple Mount” by Leen Ritmeyer as it was published in BAR.


Herod’s extension of the Eastern Wall to the north required the filling in of a deep valley to the north of the pre-Herodian Temple Mount. The Shushan Gate remained the only gate in the Eastern Wall. Towers were erected at each corner and a large water reservoir was built at the northeast corner, the so-called Pool of Israel.ritmeyer3

The Western Wall, which had four gates, was placed some 82 feet (25 m) outside the square platform with its southwest corner built on the opposite side of the Tyropoeon Valley.

ritmeyer4

The Southern Wall featured two gates, the Double Gate and the Triple Gate, often erroneously referred to as the Huldah Gates.

ritmeyer5

The most fortified feature in the Northern Wall was the massive Antonia Fortress (right in the drawing below), built to protect the Temple against attacks coming from the north and to guard the mount in times of strife. A large reservoir, the Pool of Israel (left) provided additional protection to the Temple Mount.

ritmeyer6

Once the platform was completed, double colonnades, or porticoes, were built above the outer walls to provide shelter from the elements. A huge hall called the Royal Stoa, with four rows of columns, was erected on the southern end. The pre-existing eastern portico that stood on the square mount was left unchanged. As it belonged to a pre-Herodian period, it was called Solomon’s Porch. Near the center of this platform a new gold-covered Temple was constructed that in turn was surrounded by many other buildings.

In 70 A.D., this splendid structure that had taken 46 years to build (John 2.20) was destroyed by the Romans. The only vestiges of the compound to survive the destruction were the four retaining walls that supported the Temple platform; the best known today is the Western Wall.

This drawing is the 7th in this series that were made specially for the new Temple Mount guide book that is awaiting publication. For the previous drawings see: Mount Moriah, Jebusites, Solomon, Hezekiah, Nehemiah and the Hellenistic and Hasmonean periods.

Jerusalem lies at the heart of Biblical archaeology. In the free eBook Jerusalem Archaeology: Exposing the Biblical City, learn about the latest finds in the Biblical world’s most vibrant city.

leen-ritmeyerLeen Ritmeyer is an archaeological architect who has been involved in all of Jerusalem’s major excavations. He was chief architect of the Temple Mount Excavations, directed by the late Prof. Benjamin Mazar, and of the Jewish Quarter Excavations in the Old City of Jerusalem, directed by the late Prof. Nahman Avigad, both of the Hebrew University. Together with his wife, Kathleen, he runs a firm called Ritmeyer Archaeological Design, which produces teaching and learning tools used throughout the world and offers consultancy on archaeological background and illustration. In 2006, his major work, The Quest: Revealing the Temple Mount in Jerusalem, was published after thirty years of intensive research.

THE VIKING AGE AND HUMAN SACRIFICE

This is what living in the Viking age looked like

December 1, 2014 – 06:23

Explore one of northern Europe’s largest Viking settlements in Denmark through this digital reconstruction.

Video: The National Museum of Denmark and Fugledegård Information Centre

The largest treasure ever found in Denmark, a 1.83 kilogram heavy neck ring of solid gold, was ploughed up on a field near the lake in 1977.

After the discovery, the National Museum of Denmark began snooping around the area with metal detectors. But this was only the beginning.

“In about 1990, amateur archaeologists started using metal detectors in the field further north along the banks of the lake. Here they began to find jewellery and parts of weapons all the way along the edge of the lake. This is when we “woke up” started taking notice,” says Lars Jørgensen, research professor at the Danish Antiquity section of the National Museum.

More diggings revealed human sacrifices from the Viking Age. This was the first evidence of human sacrifices during the Viking age.

The Tissø excavations soon turned out to involve one of the largest Viking settlements in Northern Europe.

In the animation above, the National Museum shows us round the entire 50 hectare site.

Viking settlement in Northern Europe

Excavations were conducted every year at Tissø from 1995 to 2003. The result was an immense amount of discoveries.

“This is the best example if a Viking settlement we have in Northern Europe, primarily because it is so easy to dig,” says Jørgensen, who has been working intensively on the Tissø site.

Over the years more than 12,000 items have been found, and together they tell the story of a group of extremely wealthy men and women who inhabited the area for some 500 years between 550 and 1050 A.D.
But nothing beats the gold treasure that set it all going. Even today, the 30-centimetre diameter neck ring — better known as the ‘Tissø Ring’ — was the reserve of wealthy people.

In the Viking age, it was highly likely that a person had to be a member of the nobility to own such an extraordinary gold ring, and archaeologists have gradually become convinced that Tissø was the backdrop to a royal residence.
The aristocratic architecture of the buildings contributes to this assumption.

Sheds new light on similar finds

Two things make the Tissø excavations very special. One is that they have given archaeologists the opportunity to follow the comings and goings of a royal residence over a period of 500 years.

“The other interesting thing is that there is a wealth of ritual facilities, some of them in and around the chieftain’s residence, where we are certain that there are ritual buildings and sacrificial sites, and partly in the area as a whole, where there are several other ritual sites,” says Jørgensen.

This gold neck ring, weighing 1.8 kilos, was found on a field in Denmark in 1977. Made around the 11th century, it is some 30 centimeters in diameter. This amount of gold could buy 500 head of cattle in the Viking age. (Photo: Den Store Danske)

In 2011, archaeologists found a religious site at the highest point in the area. Here, the inhabitants ate ritual meals — and sacrificed jewelry and human bones.

For the first time, archaeologists are reasonably certain they have proof that written reports of human sacrifices in the Viking age are authentic enough. Until 2011, it had been doubted whether there had been human sacrifices during the Viking age — the fact that they went about sacrificing real living people doesn’t exactly add clout to the Vikings identity.
“But after Tissø we started taking a look at some of old finds of human bones at Viking sites,” explains Jørgensen.

Vikings sacrificed small children

This led to the resurrection of an old theory about some peculiar sites — which resembled wells — at Trelleborg, one of Denmark’s six ring castles from the Viking age.

When the wells were excavated in the 1930s, the archaeologist involved suggested that they might’ve been sacrificial wells. But the theory was ignored — at least until the finds at Tissø gave grounds to reconsider them.

In the wells they found bone remnants of five people — four of them were small children aged 4 to 7.

Child sacrifices were ‘the ultimate’

Jørgensen explains that the Vikings’ belief in the Nordic gods was significant in relation to practically every activity in life, its everyday aspects as well as aspects of it concerning warriors in battle.

This is why the Vikings often sacrificed jewellery, weapons, tools and even animals to the gods to gain their favours. But human sacrifices were probably something very special, says Jørgensen.

“They constituted the ultimate sacrifice, especially when children were involved — they only did anything like that if they wanted to re-establish connections to the gods when things had gone seriously awry,” he says.

—————-

Read the original story in Danish on Videnskab.dk

THE QUEST: PART ONE

The Archaeological Quest for the Earliest Christians

Part one of a two-part examination

maresha-paintings

The race for the next spectacular artifact is on. Ancient bone boxes, lost manuscripts encoded with secret messages about Jesus, even fragments of crumbled papyrus—some no bigger than the receipts we stuff in our pockets—promise hope of a brave new world in Biblical studies. The assumption seems to be that if we just look a little harder, if we just dig a little bit deeper, one day we’ll find the one piece of evidence that will take us back to the earliest age of Jesus and his followers. To many, it’s an urgent archaeological mission with profound implications for the history of faith.Just don’t hold your breath. For almost two hundred years after the crucifixion, Roman cities are entirely devoid of any trace of early Christians; to date, no one has ever found any object that’s been plausibly connected to them. As an archaeologist and a historian, I think it’s time we start taking this silence seriously and stop trying to filling it with any more sensational “discoveries.” Many of Jesus’ followers—men and women who lived in the first, second and even third-century Roman Mediterranean—simply didn’t want to be found.

That’s not exactly the first thing that usually comes to mind when we think about early Christians, but the evidence is insurmountable at this point. For almost four hundred years, there were no manger scenes anywhere in the Roman world. There were no crucifixes displayed in homes or schools. There weren’t even any bound Bibles tucked into church pews. In fact, we actually don’t even know what “churches” looked like, at least, not until the middle of the third century. For a community that would later come to remember its earliest history as a time of vicious persecution, answered with outspoken acts of martyrdom, this archaeological silence poses a slight problem. Where are these people?

There are two assumptions people usually rely upon to explain the silence. The first is that Scripture, which is to say, the Second Commandment of the Hebrew Bible, prohibited Jesus’ followers from dabbling in anything artistic. The second is that early Christians were too poor and disenfranchised to leave anything noticeable behind. New archaeological and historical research suggests that neither of these traditional explanations are adequate. This post is the first in a two-part series that will explore each of these issues, charting some new directions in the study of early Christianity.


New from BAS: Partings—How Judaism and Christianity Became Two. Never before has this multi-faceted process been documented so engagingly and so authoritatively by so many eminent scholars. Read more >>


So let’s tackle the first question. Did the Mosaic commandment forbidding the creation of graven images (Deuteronomy 5:8) really prohibit Jesus’ earliest followers from pursuing their own artistic talents? Recent work on Jewish material culture during the late Second Temple period has shed new light on this topic. At the center of this picture is a twenty-year-old boy, Alexander the Great, and the legacy he left behind in the eastern Mediterranean in the third, second and first centuries B.C.By the time of Alexander’s successors—the Seleucid family in Asia Minor and the northern Levant, the Ptolemies in Egypt and the southern Levant—sounds of Hellenistic art and craftsmanship were beginning to echo on the shores of the eastern Mediterranean. A visit to two cities makes that clear. At the city of Hellenistic Marisa (today known as Maresha, a site near Bethlehem), archaeologists found tomb chambers with paintings of animals and landscapes that are stylistically similar to those seen at sites like Vergina, Greece, an important site for the Macedonian kings. The animals depicted at Maresha may even have been inspired by a famous Hellenistic zoo, organized by the Ptolemies at Alexandria. The paintings at Maresha have been dated to the third and second centuries B.C. (see image above).

jerusalem-tombs

Evidence in Jerusalem reveals similar examples of cultural exchange during this time. Representations of ships and anchors appear in many Jerusalem tombs during the late Second Temple period. Some monumental tombs built in the Kidron Valley, in the shadow of the Second Temple, incorporate architectural styles that were also widely popular. Both the tomb of the sons of Hezir, dated to the second century B.C, and the so-called Tomb of Absalom, dated to the first century A.D., draw upon Greek columns, capitals, friezes—even Egyptian pyramid forms (see image right).Jewish individuals and groups during the late Second Temple period may have been waging fierce debates amongst themselves about the role of Hellenistic customs in the formation of their Jewish identity—debates we pick up in our textual sources, like 2 Maccabees—but the archaeological evidence is clear: The Second Commandment given to Moses did not prevent Jews from making images. It prevented them from making idols. Appreciating this nuance in the history of Jewish art and archaeology is an important first step to seeing early Christian archaeology in a new light, too.

In sum, how have we ever come to believe that Christians harbored an innate artistic hostility of their own, taught to them in the Second Commandment, when Jews who read their own Scripture came to entirely opposite ideas? To understand why we haven’t been able to find Jesus’ earliest followers means setting aside long-held assumptions like these. In my second post, I’ll tackle another one: Were early Christians so poor that they were never able to afford nice things? The answer to that question, too, is not the one we may think we know.


GAMING – IT’S WHAT PEOPLE DO

Roman Game Board Found in Turkey

Archaeology news

kibyra-game

Archaeologists working in the ancient city of Kibyra in the southern Turkish province of Burdur have discovered a game board dating to the first or second century C.E.Under the aegis of Mehmet Akif Ersoy University’s archaeology department, excavations were being conducted in the city’s agora.

The board belonged to a game called Ludus duodecim scriptorium (“game of 12 markings”)—XII scripta for short—which was popular throughout the Roman Empire. The name likely came from the three rows of 12 markings inscribed on most of the Roman game boards discovered. While not much is known about the rules, the game was played by two players with three dice and may have resembled the modern game backgammon.

According to the ancient Greek geographer Strabo, the early inhabitants of Kibyra may have descended from the Lydians, an Anatolian people (Strabo, Geography 13.4.17). Sometime in the second century B.C.E., the city formed a tetrapolis with three neighboring cities. The tetrapolis was dissolved in the first century B.C.E. and Kibyra was subsequently incorporated into the Roman province of Asia. Known for its ironworking industry, the city boasted a number of public structures, including a stadium, theater and odeon.

The free eBook Life in the Ancient World guides you through craft centers in ancient Jerusalem, family structure across Israel and ancient practices—from dining to makeup—throughout the Mediterranean world.

THE MYTHICAL SILK ROAD CEMETARY

I love the Silk Road. I’ve been studying it since college and I once did a major paper on Buddhist missionary efforts Westward and Christian missionary efforts Eastwards along the Silk Road.

Superb discovery.

1,700-Year-Old Silk Road Cemetery Contains Mythical Carvings

by Owen Jarus, Live Science Contributor | November 24, 2014 07:40am ET

An ancient cemetery – silk road


[Pin It] A cemetery dating back around 1,700 years has been discovered in Kucha, a city in China. The city played an important role along the Silk Road trade routes that connected China to the Roman Empire. Archaeologists have uncovered 10 tombs in the cemetery, seven of which are large structures made with bricks. This image shows part of the cemetery facing north.
Credit: Chinese Cultural Relics

A cemetery dating back roughly 1,700 years has been discovered along part of the Silk Road, a series of ancient trade routes that once connected China to the Roman Empire.

The cemetery was found in the city of Kucha, which is located in present-day northwest China. Ten tombs were excavated, seven of which turned out to be large brick structures.

One tomb, dubbed “M3,” contained carvings of several mythical creatures, including four that represent different seasons and parts of the heavens: the White Tiger of the West, the Vermilion Bird of the South, the Black Turtle of the North and the Azure Dragon of the East. [See photos of the ancient Silk Road cemetery]

The M3 tomb also “consists of a burial mound, ramp, sealed gate, tomb entrance, screen walls, passage, burial chamber and side chamber” the researchers wrote in a report published recently in the journal Chinese Cultural Relics.

The cemetery was first found in July 2007 and was excavated by the Xinjiang Institute of Cultural Relics and Archaeology, with assistance from local authorities. The research team, led by Zhiyong Yu, director of the Xinjiang Archaeological Institute, published the findings in Chinese in the journal Wenwu. The article was recently translated into English and published in the journal Chinese Cultural Relics.

Who was buried here?

The identity of the people buried in the cemetery is a mystery. The cemetery had been robbed in the past and no writing was found that indicates the names of those buried or their positions in life.

The seven large brick tombs were likely constructed for people of wealth, the researchers said.

But, when the skeletal remains were analyzed, the researchers found that the tombs had been reused multiple times. Some of the tombs contain more than 10 occupants, and the “repeated multiple burials warrant further study,” the researchers wrote.

City on the Silk Road

The excavators think the cemetery dates back around 1,700 years, to a time when Kucha was vital to controlling the Western Frontiers (Xiyu) of China. Since the Silk Road trade routes passed through the Western Frontiers, control of this key region was important to China’s rulers.

“In ancient times, Kucha was called Qiuci in Chinese literature. It was a powerful city-state in the oasis of the Western Frontiers” the researchers wrote.

For the dynasties that flourished in China around 1,700 years ago “the conquest and effective governance of Kucha would enable them to control all the oasis city-states in the Western Frontiers,” the researchers said.

In fact, one ancient saying was, “if you have Kucha, only one percent of the states in the Western Frontiers remain unsubmissive.”

Chinese Cultural Relics is a new journal that translates Chinese-language articles, originally published in the journal Wenwu, into English. The discovery of the 1,700-year-old cemetery was included in its inaugural issue.

Follow Live Science @livescience, Facebook & Google+. Original article on Live Science.

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A Magic Spell Book from Ancient Egypt

Friday, November 21, 2014

egypt-magic-spells-deciphered-invocations

(Effy Alexakis/Macquarie University Ancient Cultures Research Centre)

SYDNEY, AUSTRALIA—A mysterious ancient Egyptian parchment codex that has been in the collection of Macquarie University in Australia for more than three decades has finally been deciphered and found to contain a series of invocations and spells. The book, which likely dates to the seventh or eighth century A.D. and is written in the Egyptian language called Coptic contains a variety of spells—some love spells, some to exorcise evil spirits, and others to treat infections. As to who would have used these spells, lead researcher Malcolm Choat told Livescience, “It is my sense that there were ritual practitioners outside the ranks of the clergy and monks, but exactly who they were is shielded from us by the fact that people didn’t really want to belabeled as a “magician.”

To read about all kinds of ancient magic, see ARCHAEOLOGY’S “When Spells Worked Magic.”

THE SAXON SMITHS

Incredible work in any age or epoch …

IVAN’S BLADE?

Sure look like it would have been a beautiful thing when new. The inscription is incredible…

Could rare sword have belonged to Ivan the Terrible?

By Anna Liesowska and Derek Lambie
21 November 2014

Intrigue over how German-made 12th century blade, adorned in Sweden, reached Siberia.

The scientists would be keen to hear from European experts who could throw more light on its origins. Picture: The Siberian Times

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets. The weapon was unearthed by accident  in 1975 and remains the only weapon of its kind ever found in Siberia.

An exciting new theory has now emerged that it could have belonged to Tsar Ivan the Terrible, and came from the royal armoury as a gift at the time of the conquest of Siberia. The hypothesis, twinning an infamous Russian ruler and a revered battle hero, could turn it into one of the most interesting archaeological finds in Siberian history, though for now much remains uncertain.

What Siberian experts are sure about is that the beautifully engraved weapon was originally made in central Europe, and most likely in the Rhine basin of Germany before going to the Swedish mainland, or the island of Gotland, to be adorned with an ornate silver handle and Norse ruse pattern.

The scientists would be keen to hear from European experts who could throw more light on its origins.

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.


The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.


The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.

The blade was made in the Rhine basin of Germany in late 12th or early 13th century. Pictures: The Siberian Times

‘Both sides of the blade have ‘rune’ inscription which was abbreviated’, said archaeologist Vyacheslav Molodin, the man who led the excavation – in Vengerovo district – which found the weapon. ‘The style of calligraphy proves that it was made by people with knowledge of advanced epigraphic writing techniques’.

Russia’s leading experts at the Hermitage Museum in St Petersburg decoded the Latin wording on the one metre long blade.

The main inscription reads: N[omine] M[atris] N[ostri] S[alva]t[ORis] Et[eRni] D[omini] S[alvatoRis] E[teRni], with an additional one on the same side of the blade saying C[hRis]t[us] Ih[esus] C[hRis]t[us]. This means:’In the name of the mother of our saviour eternal, eternal Lord and Saviour. Christ Jesus Christ.’

The inscription on the reverse side is harder to read, but the first word  ‘NOMENE’ – clearly seen –  helps reconstruct the rest as ‘N[omine] O[mnipotentis]. M[ateR]. E[teRni] N[omin]e’, which means ‘In the name of the Almighty. The Mother of God. In the name of Eternal’.

There has been widespread debate about how the sword ended up in Russia, with assumptions it was either carried along a trade route, or taken as a spoil of war from skirmishes in the region. In one of the hypothesis, Academician Molodin has suggested the blade –  currently stored in the collections of the Institute of Archaeology and Ethnography in Novosibirsk – could have been taken from Ivan the Terrible’s armoury and brought to Siberia by the legendary warrior Ivan Koltso, ahead of the conquest of the region.

It was during Ivan’s reign in the late 16th century that Russia started large scale exploration and colonisation of Siberia. Cossack leader Yermak Timofeyevich was hired to take on the Tatar forces under Khan Kuchum and Murza Karachi and lead the eastward expansion of the empire, with the sword a possible gift from the Kremlin.

The sword was uncovered at the base of a tree in the Baraba forest-steppe, less than three kilometres from where it is thought Koltso, Yermak’s closest ally, died in battle. He was declared hero in February 1583, with church bells ringing out in Moscow, when it was announced he and Yermak had taken the capital of the Siberian Khanate, Kashlyk. But his new-found celebrity status did not last long, and he was killed with 40 men during an ambush 18 months later.

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.

‘It was as if it just dscended from some knights’ fairytale’. Pictures: The Siberian Times


Molodin puts a health warning on his new theory but says: ‘Imagine the last battle of the Cossack detachment headed by Ivan Koltso. The attack was unexpected. Picture someone immediately being killed by a treacherous stab in the back, and someone else grabbing a sword to fight the advancing Tatars.

‘They are unequal forces and the Cossacks are trying to break through the crowds of enemies, but the ranks of the fighters are melting rapidly. Ivan strikes not one opponent. In his hands, the glittering giant sword, a gift from the Russian Tsar.

‘In desperation Ivan and a few survivors of the Cossacks literally hack their way to their waiting horses.

‘Ivan’s leg is already in the stirrup and he is racing on the steppe, with his horse taking him further from the bloody battle. Behind him they chase, with arrows flying. And then, suddenly, the sword falls out of the hands of the hero and drops to the ground under a young birch tree.

‘I am not sure that I am right, imagining all this, but the legend is really beautiful.’

He told Science First Hand magazine: ‘I must note that none of the scientists mentioned it, perhaps because they didn’t take it seriously. The only person who really liked that theory was (noted) Academician (Alexei) Okladnikov.  He even mentioned it in one of his last works.

‘The hypnotise looks so brave and even fantastical that these days it is unlikely that I would mention it in a scientific work. But on the other hand, it does look very beautiful, plus life can often be more incredible than anything fantastical.

‘Even now when I am writing this I believe that we should not exclude the version that the sword could have got to Baraba together with Yermak’s squadrons. Despite his Cossacks having sabres and firearms, they were still using swords. So it was quite possible they were using them during that trip’.

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.

Vyacheslav Molodin: ‘Life can often be more incredible than anything fantastical’. Picture: The Siberian Times

It was during the summer of 1975 that Molodin, then a young archaeologist, had been working on the banks of the River Om with a group of students from Omsk and Novosibirsk. Their aim was to study the settlements and cemeteries of the Bronze Age, with a focus on group burials.

At a separate site another group of students had been excavating near a large birch tree, but were under instruction from Molodin not to go near it, certain that no one was buried there. However, Alexander Lipatov, the head of the excavation team, disobeyed the brief and stumbled upon what they thought was a rusty scythe just five centimetres under the grass. As they dug further it became apparent it was a large sword.

Mr Molodin told The Siberian Times: ‘The sword wasn’t hidden deliberately, or ‘buried’. It was lying at a depth of 3-5 cm, right under the soil near the birth tree which was close to an old road. I remember the moment we found it as if it was yesterday.

‘We were not supposed to work in the area where we found the sword. It was one of my younger colleagues Alexander Lipatov who decided to ‘prolong’ the excavation site towards a big birch tree. I remember getting annoyed when I saw it – the area along the birch tree roots was visibly very hard to dig, while my estimates were that the burial mound was not stretching as far as the tree, so there was no point to clear up that space anyway.

‘I expressed my reservations about it to Alexander, and he accepted them, but said that he was nervous about making a mistake in defining the site’s borders and decided to go a bit further ‘just in case’.

‘If it wasn’t for his ‘mistake’ we would have never found the sword.

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.


The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.


The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.

‘It was incredibly well-preserved, yet I was scared to raise it from the ground’. Pictures: The Siberian Times

‘It was close to lunch time when I was suddenly asked to come to that plot of land near the birch tree to ‘check up some piece of iron’, as they said. ‘Most likely it would be a scythe’, I thought to myself as I walked towards the site where they found it.

‘Looking back, I see how it was a pure stroke of luck. Every man in our expedition longed to take it and hold it his hands, it was an incredible piece of armament’.

Mr Molodin told Science First Hand magazine: ‘Carefully and slowly we cleaned the soil off, uncovering a strip of iron, which was wider at one end, and narrower at the other. It took us an hour to clear the soil completely to see a massive sword, about a metre long with a typical iron hilt of medieval knight’s swords with a clearly expressed crossbar guard and tripartite pommel.

‘It was incredibly well-preserved, yet I was scared to raise it from the ground. I was scared it would fall into pieces in my hands.

‘Finally I put my thin bladed knife underneath the sword and raised it… You know, I’ve seen swords like this in museums and in scientific books, but it was my first time ever to hold it in my hands. It was as if it just descended from some knights’ fairytale.

‘I slowly twisted it, noting sparkles of silver on the guard and blade. It was so well preserved that you could in fact use it in the battle almost straight away. Others took to look at the find, too.

‘Finally like a water through rushing through a dam, the shock of realising what we’ve just found broke through and we began talking all at the same time. I can’t describe the feeling of surprise and excitement.

‘How did it get here, in the heart of the Western Siberia, this clearly so European looking medieval sword? How did it preserve so well? Where did it come from? ‘

The medieval sword was discovered buried under a tree in Novosibirsk region, and scientists are keen to unlock its secrets.

‘Every man in our expedition longed to take it and hold it his hands, it was an incredible piece of armament’. Pictures: The Siberian Times

Swords such as these were not typical in Russia or across Asia, and it was more similar to those widely used by European knights. After extensive research on ancient weapons, Vyacheslav Molodin prepared a report on his findings and concluded it was from Europe and dated to the late 12th or early 13th century.

Questions as to how the sword reached Russia from Sweden have been asked since 1976, with the first theory that it was carried during trade missions.

According to Arab historians, in the middle of the 12th century there was an ancient northern path through Russia to the River Ob, called the ‘Zyryanskaya road’ or ‘Russky tes’. Over the centuries archaeologists have found a treasure trove of coins, silver vessels and medieval jewellery in the Urals and lower reaches of the Ob, having travelled from the west.

The downside to this theory is that the steppe, where the sword was found, is separated from the lower and middle Ob by hundreds of kilometres of rugged forests and swamps. Others have argued the weapon could easily have travelled east as a result of bartering, or as a spoil of war from skirmishes between the Turkic people of the steppe and the nomadic Urgic population of the Siberian taiga.

DEED-IN-DEED

How D&D swallowed another innocent clandestine female nerd… is there no end to this effrontery?

That Time I Started Playing Dungeons & Dragons for a Blog Post…

I recently went on a deep undercover writing assignment. My goal was to infiltrate a local Dungeons & Dragons group and make them believe I could be one of them, just for one night, so that I could write about the shenanigans that are role playing games.

I wanted to try something new, and my boyfriend kept going on and on about Pathfinder (which is an off shoot of Dungeons & Dragons, basically) so I figured hey, I could go for 4 hours and give it a shot, blog about it, and then move on. That was six months ago. The reason I didn’t write the blog post was because I’m still playing it and you know what? It’s really cool.

dice

Image: James Bowe via FlickrUntil I started dating my boyfriend I always thought Pathfinder was just someone mispronouncing “Pathfinders,” and that they were referring to that later version of Girl Guides where teenagers learn how to braid and roast s’mores over a bonfire while singing Kumbaya. Which is why I found it really confusing when my boyfriend told me he was going to join a Pathfinder group. It became less confusing when he explained to me that Pathfinder is an RPG (role playing game) much like Dungeons and Dragons. I mean, I still found the whole Dungeons and Dragons thing confusing, but at least I wasn’t picturing my boyfriend learning how to braid his beard while wearing a green vest full of badges anymore.

So I began to learn bits and pieces of what playing an RPG is like because I like taking interest in my boyfriend’s interests. He would come home from game night and regale me with tales of his journey through what I assumed was Middle Earth. He went on and on about slaying all sorts of monsters and finding treasures, and he talked about the jokes that were made during the night and it seemed like fun. It basically sounded like Game of Thrones if Game of Thrones were a comedy on FX. He explained to me that Pathfinder was like the younger sibling of Dungeons and Dragons. Basically if Dungeons and Dragons were Disney, Pathfinder would be Pixar.

Part of me wanted to try Pathfinder as soon as my boyfriend began explaining it to me, but there was still part of me that grew up being told “Dungeons and Dragons just isn’t cool.” This was long before Community did an episode on it, of course. I hate to admit it but I heard whispers about the people playing Dungeons and Dragons in high school, and it always seemed frowned upon. It was just Darwinism coming into play when I found myself never wanting to associate with Dungeons and Dragons. I didn’t want to get pummeled to death in the school yard. I didn’t want to be turned upside down and have my lunch money stolen.

So I continued on through my life associating RPGs with wedgies and swirlies, and I probably even snickered negatively on occasion when people talked about their Dungeons and Dragons days. And then something wonderful happened: I woke up one day and realized that I didn’t want to be at all associated with the people who bullied other people for playing games in their basement. I realized that it’s cool to do whatever the heck you want to do if it makes you happy. Trust me, that’s a hard thing to realize when you come from the small town I come from. If you replace dancing with Dungeons and Dragons then my hometown is essentially the town from Footloose.

It’s no real secret that my boyfriend is a “nerd,” as some people would say. He reads comic books, he watches sci-fi shows and movies, he plays board games and role playing games. For years now I have been toeing the “nerd” line myself. I grew up watching shows like Buffy and Dark Angel. I always loved sci-fi movies more than any other genre. But that was where it ended. I didn’t play games. I didn’t read comics or fantasy novels. If you asked me what “the TARDIS” was, I would assume it was some sort of French dessert. And I certainly didn’t have a sweet clue what a D20 was.

Obviously when you spend a lot of time with another human being, you tend to take on some of their interests as your own. It was only natural that I would sit down and watch all of Battlestar Galactica and Doctor Who with my boyfriend. Of course I would go to Comic Con in Montreal with him next. Then came the board games like Munchkin and Carcassone. I enjoyed everything he introduced me to. So naturally when he started talking about Pathfinder I began to wonder if it was something I could enjoy with him.

THE MONSTER IN ME

A superbly functioning creature whose real life capabilities could easily be adapted to a game creature or “monster.” If you ask me the very best “monsters” are those who possess capabilities adapted straight from real life creatures.

I can see many useful applications (Real World and fictional) for such a capability.

Mysterious ‘Glow Worm’ Discovered in the Peruvian Rainforest

by Tia Ghose, Staff Writer | November 18, 2014 12:30pm ET

A mysterious glowing worm has been discovered lighting up the soil in the Peruvian rainforest.

The strange glow worms, which are thought to be the larval stage of an as-yet-unidentified species of beetle, may use their phosphorescence to lure unsuspecting flies and ants into their waiting, open jaws.

Ants or termites will “fly right into their jaws, and then they’ll just clamp shut and that’s their meal,” said Aaron Pomerantz, an entomologist who works with a rainforest expedition company at the Refugio Amazonas near the Tambopata Research Center in Peru, where the glowing larvae were discovered. [See Images of the Glowing Worm]

In tests, the glow worms readily devoured stick insects and termites, Pomerantz said. Their style of attack seems similar to that of the enormous, man-eating worms in the 1990 campy movie “Tremors,” albeit at a much smaller scale, he said.

“They’re underground, and they burst from the earth,” Pomerantz told Live Science.

Glowing earth

Nature photographer Jeff Cremer found the tiny pinpricks of light glowing in a wall of earth when he was working at a lodge in the Peruvian jungle. On closer inspection, Cremer discovered several dozen of these tiny insects, which measured about 0.5 inches (1.2 centimeters), shining green in the night.

Cremer brought them to the attention of entomologists who work at the rainforest nature lodge, who had never seen anything similar in the region.

The team determined that the worms were the larvae of an unknown species of click beetle. These beetles, which belong to the family Elateridae, use a fast popping or “clicking” motion to escape predators, Pomerantz said. Adults may feed on flowers and nectar, but the larvae are probably predatory.

There are more than 10,000 species of click beetles, including about 200 that are bioluminescent, meaning that they give off light. These strange little creatures may potentially be cousins of Brazilian fire beetles and could belong to the group of bugs called Pyrophorini, Pomerantz said.

Brazilian fire beetles burrow into termite mounds, creating ethereal, glowing towers at night, Pomerantz said. Though it’s not exactly clear how the newly discovered insects produce light, similar creatures use a class of molecules known as luciferins to give off their ghostly yellow glow. Pyrophorini typically maintain a constant glow through the night, and may even shine brighter when a predator touches them.

Why they glow

Bioluminescent animals usually glow to either lure in prey or to warn predators that they contain noxious chemicals. But the glowing also occasionally serves other purposes. For instance, fireflies’ blinking is essentially a come-hither signal for potential mates, Pomerantz said.

In the case of the click-beetle larvae, it seems the creatures glow to lure in prey, Pomerantz said. The Brazilian click beetles aggregate in termite mounds and glow to attract more prey.

Right now, the team isn’t sure if it’s discovered a completely new species or a new subspecies of an already known species of beetle larva, but the researchers are contacting experts in Brazil to find out, Pomerantz said.

THE TRIGGERING OF THE HUMAN IMAGINATION

Recently I have undertaken a new career (or perhaps it would be more accurate to say, an additional career) as a fiction writer. My background as an author is as a non-fiction writer, primarily dealing with such subjects as business, science, and technical matters. Although on occasion, often for private clients and sometimes just to pursue my own interests, I write analytical, white, and theory papers on everything from military and law enforcement matters to educational techniques to religious subjects.

But, as I said, now I am embarking upon a new or supplementary career as a fiction writer. Last night, while laying in bed, and reading a fiction story before sleeping it occurred to me that the author was very good as describing some scenes (thereby easily provoking my imagination to work “independently” of the actual words used to construct the scene) and at other times the author did a very poor job of description and my imagination had to work very hard, or was confused as to exactly what the author was describing. (The author was Moorcock.)

I went to sleep and later awoke about 0500 hours from a dream, and then an idea suddenly occurred to me about what had triggered the dream. (I didn’t connect my dream directly to the story Moorcock had written but it had triggered an “oblique set of imaginings” which I thought were related to some of the ideas expressed in the story.) After I was awake about fifteen minutes or so replaying the dream through my mind it occurred to me that many authors, as well as others, such as really good playwrights, poets, filmmakers, graphic or visual artists (I had recently taken my children to see one of the largest collections of Sacred and Italian and Spanish Gothic and Renaissance Art in the entire nation, and most all of the works were both highly symbolic, and fantastically beautiful), even inventors, scientists, and religious leaders often express their ideas in such a way as to have a great and lasting impact upon the imagination of the consumer. (I am using the term consumer here to represent any partaker or user of such services, products, information, or ideas as are being now discussed.)

And herein lies the seed of my theory. That there are certain techniques that writers, artists, inventors, etc. use that are capable of triggering the imagination of the listener, audience, or observer in such a way that the imagination of the consumer is expanded to such a degree that it becomes heavily provoked, and can then operate almost entirely independently (if not indeed completely independently) of whatever the original trigger that had initially produced it.

Using a writer as an example of my intent, for instance, certain authors are so good at description, that they can create an image in the mind of many readers that even when the reader completes reading the description or has finished the work, there lingers a sort of lasting or almost semi-permanent impression of (and on) the imagination, that is not static and calcified, but is rather “alive,” flexible, and on-going. The images and impressions made by the work do not die out with the reading of the last word, or by finishing the book, but rather they “carry on” almost as if they had created a sub-rosan or virtual reality within the mind and psyche of the consumer or the partaker. And this new and virtual mind-reality is likewise not limited to the breadth, depth, or scope of the original subject matter of the work, but rather one type of imagining or image activates numerous others in a long and continuing chain of triggered imaginary impulses, the limits of which are constrained only by the inventiveness, potentialities, and desires of the particular consumer in question. As a side note I should also mention that I am not using the term Virtual to imply something that lacks reality, as much as to represent something that has not as of yet become imminently real, but could very well become empirically real when imagination is determinedly and ambitiously combined with actual work and concentrated effort. (Now of course a badly executed or ill-conceived effort of work, imagination, or description can leave the consumer either highly confused as to what exactly the author meant by virtue of his description, can lead the consumer completely away from the actual intent of the author, or can simply provoke a feeling of disinterest or “dullness” on the part of the consumer, triggering within him not sustained and powerful imaginings, but rather impressions of distraction, or a shallowness that can only be indicative of a total lack of interest and respect for the work in question and what it produces.

But my theory (and my theory is not new, I am sure, but I am seeking a sort of specialized or different application of it) is that while there are certainly defective techniques of the act of describing or envisioning a thing that lead to a failure to spur on the imagination of the consumer, that miscarry the attempt to create a “virtual reality” of the mind through the lacking exertion(s) of a peculiar creator, there are also techniques that rarely fail to produce the sort of positive effects that I am discussing here in respect to the imagination.

That is to say if there are techniques that fail in the cause of provoking and exciting and expanding upon the capabilities of the imagination of the consumer, then there are obviously other and more obverse techniques, which will, more often than not, have the desired effect of expounding upon, elucidating, enlarging, edifying, and invigorating (perhaps permanently) the imagination of the consumer. Techniques that can help to create a sort of “perpetual inner motion” of the imagination, and that will have effects far beyond and far exceeding the actual individual triggers or spurs that were used in producing this state of affairs.

(Now, for purposes of this discussion, I am not going to really address the receptivity or state of internal agreement that any particular consumer feels toward the subject matter he is consuming. That is outside the bounds of what I am discussing, and in any case there is very little, practically speaking, that any creator can do to control the state of receptivity on the part of the consumer. The creator can use the best techniques possible, and undertake his or her work in the most crafty and acute manner by which he is able, but he cannot control the inner state of receptivity on the part of the consumer. That is almost entirely the duty or the affair of the individual consumer of information. If someone else wants to discuss this issue of information dispersal versus information receptivity, then feel free, but as for me, and at this moment, I intend to avoid the issue as a momentary distraction to the other more important points at hand.)

It also occurred to me this morning, after teaching my classes, that the same sort of thing happens in Role Play Gaming, and that moreover in such an environment such “triggering of the human imagination” is often a corporate act, as much as an act of the creator of the plot, storyline, and/or milieu being explored. (And if indeed it is an act of both the corporate and individual imagination, then this in itself might be an important clue towards the feasibility and dynamic nature of important methods of “imaginative triggering.”) That being the case it seemed to me that this website and forum would be the perfect place to solicit further ideas for this discussion. And that a discussion of role-play techniques and methods geared specifically towards the architecture of imagination might yield vital and important clues towards even larger issues of the mind and visionary invention.

Now there may indeed be, and I very much suspect that indeed there are, more or less Universal Techniques and Methods for the “triggering of the human imagination” in the way in which I am framing the issue. (Techniques that may vary in application according to media type, or in discipline or field of endeavor, but are still interchangeable in intent and basis of intended achievement.) However let’s put that possibility aside for the moment and work at the problem inductively.

Let me ask the question(s) very simply in this way: What techniques or methods do you employ as a DM (or even as a player), adventure writer, milieu creator, and so forth that seems to you to “trigger the human imagination” in a very intense and enduring fashion? So that your work takes on a “virtual life of its own in the mind of your consumers,” and/or so that it continues to excite your consumers long after the actual act of the game is concluded? And how do you go about employing such techniques on a consistent basis in order to repeat these effects in a systematic and continuing manner?

I’m looking forward to your answers, ideas, opinions, and speculations…

SIBERIAN LAKE FORTRESS

BOO-YAH!

And there ya go… extremely nice source material.

– See more at: http://www.ancient-origins.net/news-history-archaeology/1300-year-old-fortress-structure-siberian-lake-013323#sthash.DBsRi9fY.bXZs5Lcn.dpuf

CAER SIDI

If this is not to you excellent story and gaming material then you aren’t really trying…

5 Mind Blowing Underwater Cities

Lion-City-of-Quiandao-Lake,-China

No doubt we’ve all heard of the legend of Atlantis, the ancient, once great city that was lost when the ocean submerged it.To this day the legendary city has yet to be found (or proven to have ever existed) yet over the years many other underwater cities have been found, each of them as eerie as they are mind blowing.

 

1. Port Royal, Jamaicaport-royal

Once a notorious hub for pirate activity, prostitutes, booze, and raging all-night parties, Port Royal was once branded ‘the most wicked and sinful city in the world’.

That was so until June 1692 when a massive 7.5 earthquake shook the island of Jamaica, sucking Port Royal into the ocean due to it’s unstable foundations and killing over 2,000 of it’s inhabitants. Was this earthquake a fatal natural accident or was it retribution for all the sins committed within the cavity? For hundreds of years people believed the latter.

In the years since then the infamous city, once one of the largest European cities in the New World, has continued to sink and now it lies forty feet below the ocean. The sunken city is a hive for archeological exploration as amazingly many near-perfect artefacts are still being unveiled from the site.

 

2. The Pyramids of Yonaguni-Jima, Japanyonaguni-island-japan-1

To this day experts still argue over whether the Yonaguni Monument which lies underwater just off the coast of Japan is man made or simply a natural occurrence.

While there is evidence to support the natural theory, looking at the terraced stones and triangular shapes that which make up the pyramid it’s hard to believe such a monument could occur naturally. The pyramid rises a massive 250 feet from the sea floor and is a constant lure for scuba-divers for obvious reasons.

If the structure was manmade, experts suggest it was likely built during the last ice age at roughly 10,000 BCE.

 

3. Dwarka, Gulf of Cambay, IndiaDwarka,-Gulf-of-Cambay,-India

The ancient city of Lord Krishna was once thought to be merely a myth but ruins discovered in 2000 seem to be breathing life into the old Indian tale.

The story goes that Lord Krishna had a magnificent city which was made up of 70,000 palaces made of gold, silver, and various other precious metals. The city was prosperous however upon Lord Krishna’s death Dwarka supposedly sank into the sea.

The ruins are situated 131 feet beneath the ocean surface in the bay of modern-day Dwarka, one of the seven oldest cities in India. Acoustic studies have shown the ruins to be amazingly geometric, stunning experts.

Many artefacts have been recovered from the site but perhaps none more important than one which was dated to 7500 BCE, supporting the theory that the ruins may well be the ancient Dwarka.

 

4. Lion City of Quiandao Lake, ChinaLion-City-of-Quiandao-Lake,-China

Hailed as the most spectacular underwater city in the world, China’s Lion City certainly is a marvel.

Built in Eastern Han Dynasty at roughly 25-200 CE and spanning about 62 football fields in area, today Lion City can be found 85-131 feet beneath the surface of Thousand Island Lake, an area that was intentionally flooded in the 1950s to create a dam.

The sculptures that decorate the city rival the beauty of even Alexandria so it’s little wonder that Lion City is now one of China’s most popular tourist destinations.

 

5. Cleopatra’s Palace, Alexandria, EgyptCleopatra's-underwater-palace,-Egypt-.

Just off the shores of Alexandria lies what is believed to be the palace of Cleopatra, an ancient Egyptian queen. It is believed that the ruins were cast into the sea by an earthquake over 1,500 years ago and lay dormant until recent years.

Along with the royal quarters, archaeologists also believe they have found the temple of Isis alongside them. To date, more than 140 artifacts have been uncovered from the site and experts now believe they have located the tomb of Cleoplatra and an ancient museum within the ruins.

Hopefully the ruins will be opened up to divers and tourists in the years to come, allowing us all to have a closer look at the marvel that is Cleopatra’s palace.